This French-produced 1996 documentary is an hour-long piece covering the history of techno music from Detroit to Berlin Sheffield.
This French-produced 1996 documentary is an hour-long piece covering the history of techno music from Detroit to Berlin Sheffield.
1996-10-22
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Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.
A documentary that explores the challenges that a life in music can bring.
The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.
A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.
Booka Shade cap off their 150-show world tour with a live concert DVD. Movements – The Tour Edition is out early next month. The CD/DVD package includes a CD version of Booka Shade’s 2006 album ’Movements’ alongside a DVD titled We Came To Dance, the centrepiece of which is a live concert filmed at Belgium’s Pukkelpop Festival on August 18th, 2007. The show features the usual Booka hits ‘Body Language’, ‘Mandarine Girl’ and ‘In White Rooms’ as well as two previously unreleased tracks, ‘We Came To Dance’ and ‘Monkey On My Deck’. DVD - We Came to Dance: Live at Pukkelpop 01. We Came to Dance 02. Night Falls 03. Trespass 06 04. Oh Superman 05. Karma Car 06. Unhealthy Pleasures 07. Monkey on My Deck 08. In White Rooms 09. Darko 10. Mandarine Girl 11. Blue Rooms 12. Body Language
On February 20th , deadmau5 releases the "Meowingtons Hax 2k11 TORONTO" live DVD featuring one of the biggest live shows in electronic music. The concert was filmed at the Rogers Centre in Toronto in front of a sold out hometown crowd and includes performances of deadmau5's biggest hits, plus special unreleased tracks, all accompanied by his infamous mind-blowing visuals. "Meowingtons Hax 2k11 TORONTO" rounds off a prodigious 12 months for the 'mau5 and showcases exactly why he has been lauded so highly by critics and peers alike.
In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.
Jean Michel Jarre held a concert at the Gammel Vrå Enge Windmill Park near the city of Aalborg in Denmark, on September 7, 2002, with 40,000 spectators (including 5,000 VIPs)
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
October 5th, at 10.30 pm , after pope John-Paul II`s blessing of Lyon from the top of Fourvieres hill, Rendez-Vous Lyon got under way, a concert performed for more than 800,000 people on the banks of the river Saone. Fourvieres hill was ablaze for ninety minutes, fired on by cannons of light, fireworks and images synchronised to music being performed live on the central stage by Jean-Michel Jarre, 60 musicians and 120 choristers. A baroque feast, blending classical and avant-garde, workmanship and high-tech, past and future, Rendez-Vous Lyon will long be remembered as an exceptional event.
It was 1906. "Get Music on Tap Like Gas or Water" promised the headlines, and soon the public was enchanted with inventor Thaddeus Cahill's (1867-1934) electrical music by wire. The Telharmonium was a 200-ton behemoth that created numerous musical timbres and could flood many rooms with sound. Beginning with the first instrument, constructed in the 1890's, and continuing with the installation of the second instrument at Telharmonic Hall in New York, the rise and fall of commercial service, the attempted comeback of the third Telharmonium, and ending with efforts to find a home for the only surviving instrument in 1951, this documentary provides a definitive account of the first comprehensive music synthesizer.
From Dr Who to The Dark Side of the Moon to modern day dance music, the pioneering members of the Electronic Music Studios radically changed the sound-scape of the 20th Century. What the Future Sounded Like tells this fascinating story of British electronic music. What The Future Sounded Like mixes experimental visual and sonic techniques with animation and never-seen-since archival footage. A sonic and visual collage, this documentary colors in a lost chapter in music history, uncovering a group of composers and music engineers who harnessed technology and new ideas to re-imagine the boundaries of music and sound.
Destination Docklands was an event consisting of two concerts by musician Jean Michel Jarre on the Royal Victoria Docks, Docklands, London on Saturday 8th and Sunday 9th October 1988, to coincide with the release of Jarre's new album Revolutions. The concerts were attended by 100,000 people on each night.
In a mockumentary style reality show, we follow X-Coast aka Bojan Cizmic going over the world and marketing his X-Coast Deejay Academy. On his travels he meets various known alumni from the techno scene. But when trouble starts, return to homeland is the best solution.
A short documentary on the highly influential Los Angeles club night, The Low End Theory
Techno celebrated its 25th birthday in 2013. It has become a culture in its own right, ranking among trendy music, and bringing together millions of people worldwide. Its DJs have become veritable stars. It is a global, worldwide culture, and its creators and fans alike share its common denominators of hedonism, a thirst for freedom, and a sense of suspended time via its musical trances. Thanks to Internet, but also thanks to emblematic festivals, the Techno movement is today undergoing exponential growth. What are the codes and the creative processes of this worldwide culture? Who are the leading players of this global movement? How does this music influence contemporary creation, and increasingly, the economy?
Paris La Defense - Une Ville En Concert was a concert held by musician Jean Michel Jarre on the district of La Défense in Paris on Bastille Day, July 14, 1990. About 2.5 million people standing in front of the pyramidical stage all the way down to the Arc de Triomphe witnessed this event, setting a new Guinness Book of Records entry for Jarre. The concert was funded by Mairie De Paris, Ministry of Culture and a small cluster of high-profile Parisian business concerns. Later, a concert video as well as a photobook of the event were released. The show featured new tracks from the Waiting for Cousteau album, and vast grotesque marionettes created by Trinidadian Peter Minshall.