

The last surviving Native Americans on Long Island are the focus of The Lost Spirits. The film chronicles their struggles as an indigenous people to maintain their identity amidst relentless modernization and a heartless bureaucracy.
0.0Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
7.0In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”
5.8Filmed during the 2016 Standing Rock protests in South Dakota, Sky Hopinka's Dislocation Blues offers a portrait of the movement and its water protectors, refuting grand narratives and myth-making in favour of individual testimonials.
0.0Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.
0.0Badger Creek is a portrait of Native resilience as seen through a year in the life of three generations of a Blackfeet family living on the rez in Montana. The Mombergs are a loving, sober family who run a successful ranch, live a traditional worldview and are re-learning their language.
5.0An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
Three intrepid women battle for Indigenous women's treaty rights.
7.0The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.
0.0The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.
0.0The Battle of New Orleans: A Meaningful Victory explores how the British misjudged their opponent and miscalculated the complexities of the battle ground. It also describes why the multi-cultural population of New Orleans proved the naysayers wrong about their loyalties to a young nation. WYES Community Projects Producer Marcia Kavanaugh and Tom Gregory hosted and produced this documentary.
6.2Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
7.2Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
0.0An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.
0.0There isn't much left of the once-grand Catskill Mountain House. The lavish resort hotel was perched on a precarious ledge in Greene County for over a century. During its 19th-century heyday, the hotel embodied the peak of luxury for a generation of the rich and famous. But like many resort hotels of the Catskills' glittering past, the Mountain House fell into disuse in the 20th century and was finally destroyed by the state of New York in 1963 to return its scenic overlook to wilderness. The Catskill Mountain House and The World Around was given the Gold Remi Award by the 44th WorldFest Houston International Film Festival!
0.0The 45-minute documentary celebrates the history of the Catskill Water System with rare archival film footage and historic photographs. Deep Water tells the story of the building of the Ashokan Reservoir, Shandaken Tunnel, Schoharie Reservoir, and the Catskill Aqueduct. Narrated by Robb Webb (the voice of "60 Minutes II"), Deep Water documents how several Catskill Mountain towns were destroyed and flooded, how immigrant workers built the dams and tunnels, and how brilliant engineering and political maneuvering allowed the system to be built.
0.0RAILS TO THE CATSKILLS is a history of the dynamic railroad industry in the Catskills of New York State. Catskill railroads have roots in the canals of the 1820's and the post Civil War railroad boom.
0.0In the Gilded Age and beyond, high fashion decreed that violets were the flower of choice for Valentine's Day, Easter, and a fragrant corsage. At its height, in the years before World War I, Rhinebeck, New York, growers shipped millions of sweet violets (viola odorata) to New York City, Philadelphia, Boston, Chicago and beyond.
0.0John Vanderlyn “...is pronounced to be the first painter that now is or ever has been in America.” ~ Aaron Burr, 1802 “The First Artist in America” is the story of John Vanderlyn, the celebrated artist who portrayed seven American presidents, rose to fame as a 19th century neoclassical history painter, and died penniless and alone in his hometown of Kingston, New York.
0.0In decades past, Native American artists who wanted to sell to mainstream collectors had little choice but to create predictable, Hollywood-style western scenes. Then came a generation of painters and sculptors led by Allan Houser (or Haozous), a Chiricahua Apache artist with no interest in stereotyped imagery and a belief that his own rich heritage was compatible with modernist ideas and techniques. Narrated by actor Val Kilmer and originally commissioned as part of an exhibit of Houser’s work at the Oklahoma History Center, this program depicts the artist’s tribal ancestry, his rise to regional and national acclaim, and the continuing success of his sons as they expand upon and depart from their father’s achievements. Key works are documented, as is Houser’s tenure at the Santa Fe–based Institute of American Indian Arts.
0.0Nóouhàh-Toka’na, known as swift fox in English, once roamed the North American Great Plains from Canada to Texas. Like bison, pronghorn and other plains animals, Nóouhàh-Toka’na held cultural significance for the Native Americans who lived alongside them. But predator control programs in the mid-1900s reduced the foxes to just 10 percent of their native range. At the Fort Belknap Indian Community in Montana, members of the Aaniiih and Nakoda tribes are working with the Smithsonian’s National Zoo and Conservation Biology Institute and other conservation partners to restore biodiversity and return Nóouhàh-Toka’na to the land.
