The Four Corners: A National Sacrifice Area?(1983)

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

The Buffalo War(en)

Native Americans, ranchers, government officials, and environmental activists battle over the yearly slaughter of America's last wild bison, based on fear that migrating animals will transmit the disease brucellosis to cattle. Join a 500-mile spiritual march across Montana led by Lakota elder Rosalie Little Thunder expressing her people's cultural connection to bison, an environmental group engaging in civil disobedience and video activism, and a ranching family caught in the crossfire.

Closeness to the Land(en)

In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.

Against the Tide(mr)

Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.

Natsik Hunting(en)

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

My Grandmother’s Tipi(xx)

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural experience of a grandmother’s tipi. It is based on memories of being in a tipi, observing in the bliss of cooking and the time in-between.

Burning(en)

Follows the deadly Australian bushfires of 2019-2020, known as ‘Black Summer’. Burning is an exploration of what happened as told from the perspective of victims of the fires, activists and scientists.

ENCRUZILHADAS DO SOM(pt)

The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.

Mankiller(en)

The story of an American hero and the Cherokee Nation's first woman Principal Chief who humbly defied all odds to give a voice to the voiceless.

Fighting Indians(en)

On May 16th, 2019, the State of Maine made history by passing LD 944 An Act to Ban Native American Mascots in All Public Schools, the first legislation of its kind in the country. For Maine's tribal nations, the landmark legislation marked an end to a decades long struggle to educate the public of the harms of Native American mascotry. Fighting Indians chronicles the last and most contentious holdout in that struggle, the homogeneously white Skowhegan High School, known for decades as "The Home of the Indians". This is the story of a small New England community forced to reckon with its identity, its sordid history, and future relationship with its indigenous neighbors. It is a story of a small town divided against the backdrop of a nation divided where the "mascot debate" exposes centuries old abuses while asking if reconciliation is possible.

Dále a směleji vpřed(cs)

Angels Gather Here(en)

Angels Gather Here’ follows Jacki Trapman’s journey back to her hometown of Brewarrina to celebrate her parents, Bill and Barbara’s 60th Wedding Anniversary.
 Going home is never easy for Jacki. Amidst the family celebrations she reflects on her life; her story symbolising the strength, dignity and resilience of many Aboriginal people in the face of adversity.

Anti-Objects, or Space Without Path or Boundary(en)

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.

The Lost Spirits(en)

The last surviving Native Americans on Long Island are the focus of The Lost Spirits. The film chronicles their struggles as an indigenous people to maintain their identity amidst relentless modernization and a heartless bureaucracy.

Meet Me at the Creek(en)

Waters’ LIFT project, ᏗᏂᏠᎯ ᎤᏪᏯ (Meet Me at the Creek), is the fourth of a quartet of films, and focuses on interconnectedness and Cherokee values through the lifelong fight of Rebecca Jim, a Cherokee Nation citizen and waterkeeper warrior, as she leads the effort to restore Tar Creek in Miami, Oklahoma.

Koyaanisqatsi(en)

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Mundurukuyü – The Forest of the Fish Women(pt)

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Hacking at Leaves(en)

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

Baraka(en)

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.