Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.
Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.
2002-01-01
5.8
The global economy is on the brink of collapse. Brilliant creators, from artists to industrialists, continue to mysteriously disappear. Unemployment has risen to 24%. Gas is now $42 per gallon. Dagny Taggart, Vice President in Charge of Operations for Taggart Transcontinental, has discovered what may very well be the answer to the mounting energy crisis - found abandoned amongst ruins, a miraculous motor that could seemingly power the World. But, the motor is dead... there is no one left to decipher its secret... and, someone is watching. It’s a race against the clock to find the inventor and stop the destroyer before the motor of the World is stopped for good. A motor that would power the World. A World whose motor would be stopped. Who is John Galt?
Explores Tolkien's classic fantasy/adventure novel The Hobbit and examines the story behind its conception.
Django is on the trail of some renegade outlaws who raped and killed his wife. En route, he rescues a horse thief from an impromptu hanging. He discovers the man knows who committed the murder. The men team up and head west for revenge.
A coming of age drama set in Texas, about a suburban teen boy, estranged from his family, who enlists the help of his dysfunctional friends to become a professional motorcycle racer.
Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
The Undisputed WWE Universal Championship will be on the line when Roman Reigns defends his title against the winner of the 2024 Royal Rumble, Cody Rhodes. The Scottish Warrior Drew McIntyre will finally get his chance to win a world title in front of the masses as he faces World Heavyweight Champion Seth "Freakin" Rollins at The Showcase of the Immortals. Plus a big tag team match on night 1 where Cody Rhodes and World Heavyweight Champion Seth "Freakin" Rollins will go head to head with Dwayne "The Rock" Johnson and Undisputed WWE Universal Champion Roman Reigns in a match with huge WrestleMania implications. Bayley is hellbent on seizing the WWE Women's Champion when she goes to war against her former ally IYO SKY at WrestleMania. 'Mami' Rhea Ripley defends her Women's World Title against 'The Man' Becky Lynch in what should be a legendary championship fight and many more.
UFC 213: Romero vs. Whittaker is a mixed martial arts event produced by the Ultimate Fighting Championship held on July 8, 2017 at T-Mobile Arena in Paradise, Nevada, part of the Las Vegas metropolitan area.
Jas lives together with his father, who is a truck driver and spends lot of time away from home. One day, Jas finds a girl and an old lady hiding in the barn. They call themselves Neia and Alva and have strange clothes and hair. They say they live in the woods but cannot return. Soon, couple of secret service agents show up and start asking a lot of questions. Soon they figure out that they're poachers looking for healing gem of the elves. Jas, together with his best friend Isaac, decides to help their new friends against the poachers.
Two rival swordsmen in imperial China, poncho-clad Fu Hung-Hsueh and Yen nan-Fei vie with a power-hungry villain for the deadly Peacock Dart and fend off waves of expert killers during their journey.
Paramdham, Pedda, and Chinna are three spoilt brats who fall in love with the same girl. Later, they move to Vizag due to their reputation and help a girl overcome her troubles and move ahead in life.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
A day in the life of an 'organillero' as he plays his music in the streets of a Chilean city.
An observational film that using the fragmented format of a newscast program proposes a cinematic glance to the same reality depicted daily by the media.
Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
“It’s not my memory of it” is a documentary about secrecy, memory, and documents. A former CIA source recounts his disappearance through shredded classified documents that were painstakingly reassembled by radical fundamentalist students in Iran in 1979 following the takeover of the U.S embassy. A CIA film—recorded in 1974 but unacknowledged until 1992—documents the burial at sea of six Soviet sailors, in a ceremony which collapses Cold War antagonisms in a moment of death and honor. A single photograph pertaining to a publicly acknowledged but top secret U.S. missile strike in Yemen in 2002 is the source of a reflection on the role of images in the dynamic of knowing and not knowing.
Believe it or not, esoteric film sages, i.e., Phil Solomon, are open to the possibilities of working with video — and even video games. This is a film that takes images from the notorious wanton car-jacking shoot-em-up Grand Theft Auto video game.
A compilation of non-narrative films shot in the 1970s and 1980s by Phill Niblock concerned with the movement people make when they do menial tasks.
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.