This comprehensive documentary chronicles the underground rave culture in Southern California, one of its first American strongholds. With roots in a tribal past, this movement attempts to format the future of a truly global community by combining elements of electronic/percussive music, the psychedelic imagination, and mass dancing. From warehouses to mountain retreats to the deserts of the Mojave, an unseen world comes into clear focus; with kinetic camera work and candid interviews, this slice of visual anthropology probes the underbelly of a worldwide subculture with the help of some of electronic music's most acclaimed DJs, a technomusicologist, and a county sheriff. Open your mind to this moving entertainment experience and intimate portrait of a modern counter-culture that follows its own electronically induced beat.
1999-01-17
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0.0Since 2013, the Casual Gabberz collective has been storming dancefloors and the stages of the biggest festivals with its gabber surge, that hardcore techno sound born in Holland in the 90s. Until a virus causes the planet to go haywire. And triggered an existential crisis within the collective.
4.0The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.
4.2On July 5th 2008 the Amsterdam ArenA was filled with the Ocean of White. Against a breathtaking backdrop of waterfalls and fountains, the world's best DJs provided the music, spectacular dance acts and mind-blowing special effects provided the entertainment, and thousands of people were submerged in the magical underwater world.
4.2Sensation White 2007 Amsterdam Arena presenting the premiere of 'The Tree of Love'.
8.1Tiësto in Concert is a performance of Tiësto's concert on May 10, 2003, at the Gelredome in Arnhem, Gelderland, Netherlands, when he performed before an audience of over 25,000 people. The concert was divided into parties with live performances by groups, bands and artists representing a country, which in turn represented a continent. It begins with a presentation by Tiësto followed by a live performance by Andain who presents to Britain and Europe. Then, a group of carnival Sanba presents to Brazil and South America. The singer's live performance and band Dinand Woesthoff presents "The Star-Spangled Banner" to the United States. The Chinese group Orange Studio performs the theme "Tiësto in Concert Asia", presented to countries there. After a live performance by singer Jan Johnston, Omar Ka & Fula Band presents to Africa, and finally, the live performance of Jerry de Jonge & Beijerink presents to Australia and Oceania. A Bluray version with the Director's Cut was released in 2012.
6.8A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.
0.0New Order's Stephen Morris and Gillian Gilbert unpack a playlist of electro, pop and new wave classics spanning four decades. Stephen and Gillian have been married for 24 years and have been in New Order together for even longer, but they still manage to surprise one another with their musical tastes. While Stephen declares Captain Beefheart an early influence, Gillian confesses her teenage love for a disco classic. During an hour of top tunes, Stephen also reveals the moment he was mistaken for Stevie Wonder, and Gillian recalls how her Dad was a fan of punk. From Kraftwerk to Can, David Bowie to Kate Bush, Magazine to Grace Jones and many more, this stellar playlist by Stephen and Gillian is brimming with iconic performances.
0.0An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
5.3The film traces over 10 years of uninhibited activism by this modern tribe, from the first underground parties to the temples of showbiz society. The Heretik have climbed all the way to the legendary Olympia concert hall in Paris. Immerse yourself in the tormented intimacy of a leading counter-culture band.
5.7Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.
8.0At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
9.8Dance music has spread across the world transcending religious & racial barriers connecting to the hearts and souls of millions. People have always felt the rhythm of music and have as a result evolved countless dance styles throughout the ages. Beginning in the late 80's in Melbourne's underground dance music party scene, a revolutionary freestyle dance began to grow and has now developed into the most unique and robust underground dance style since the birth of Breakdancing. The Melbourne Shuffle has no set steps but encourages individuality and imagination, incorporating dance moves from numerous styles such as miming, popping & locking, liquid and breaking.
7.5In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.
0.0In an apartment, a party is in full swing. Sitting on a sofa, Perez is hypnotized by a group of four girls facing him.
0.0It is a short video produced by Matthias Fritsch in 2000 at the Fuckparade in Berlin.