A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
Self (archive footage)
Self (archive footage)
Reflections on my 1966 trip to Avignon that helped me to survive a deep crisis I was going through. Texts from my diaries of that period on the soundtrack are read by Angus MacLise.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Bad guys are poisoning drinking water, and there is only one man who can stop them, Jeff Fahey.
Harold a shy college student from the province who develops a close bond and a secret love for his friend AM, a rich city girl who is passionate about her dreams. Because of their contrasting personalities, Harold is disillusioned and AM is idealistic and complications in their personal lives, the two never get past the “more than friends but less than lovers” stage and eventually separate. Now reunited after five years, AM and Harold spend fleeting hours wandering around their old haunts and wondering about their old selves, making Harold’s next-day flight the biggest “what if” of their lives.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Pragmatic young woman plots out her flirtations with five rich, eligible bachelors to play to the weaknesses of each one. Then she has to pick one for keeps.
Volume 7 documented the year that the AND1 Mixtape Tour really took off. Every game was played in NBA arenas and the best local talent was found in the Open Runs. Volume 7 was the year that Grayson Boucher AKA The Professor was found in the Portland, Oregon Open Run. The Professor went through all the stops on the tour before being named the winner and newest member of the AND1 team. Former AND1 player Dennis Chism AKA Spyda and current player John Humphrey AKA Helicopter were the other two finalists along with The Professor. Tony Jones AKA Go Get It also had some highlights on this tape as he played on the opposing team and was eventually offered a spot on the team. Also a brief appearance from retired basketball player Shaquille O'Neal
An animated film that recounts the events surrounding the birth of Jesus Christ described in the New Testament.
This film tells the story of Camille and Antoine, two French highliners and alpinists. They dream to walk between two iconic rock towers of Aiguilles d’Arves. This story documents an amazing adventure that required help from a huge and dedicated team of people.
A postman walks through the desert, his life flows slowly as does the desert sand. He is the only link between the secluded villagers, however, this is about to change due to a small technological device.
One of the series gives successive pictures of an athlete in an unsuccessful attempt to turn a somersault. Everybody who has seen a boy perform this act knows the brief space of time it takes him to throw himself upon his hands, with his feet in the air and how quickly he recovers himself if he fails to go over. Yet it will be seen that the kinetograph photographed the athlete forty-four times between the beginning and the end of the act, aside from the numerous pictures taken when he was bending down to the ground and coming back to an erect position.
After a rock is thrown through a window, two families become intertwined in a dispute after an incident following an unsuccessful marriage. The couple in question try to hash out what actually went wrong, as the surrounding family members point fingers at one another. Tension builds as all of their other problems seem to bubble to the surface at the same time.
Danish noir crime drama with a poetic nerve. Two boys, Kristinus and Jakob (Rode and Neergaard) experienced a loveless and abusive childhood. Now as grown-ups, they are acting outside the law.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life. McDowell was dying from AIDS-related illnesses during the production of the diary. “An elegy for McDowell, the videowork captures Kuchar’s mournful remembrances of his long-lasting friendship with the young filmmaker. But it also has the inquisitive charm, perverse humor, and quirky candor that places Kuchar’s visual expressions in a gritty niche all their own.”
An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.
The director goes to the city of Cuenca in Spain, Castilla-La Mancha for Erasmus. In this process, he records his experiences, days, and trips with a digital handheld camera and Super 8mm. A visual diary of the director is documented by witnessing the 2022 spring period in Spain and Portugal with images.
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.
An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.
Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.
An epic portrait of the New York avant-garde art scene of the 60s.
Filmmaker Jonas Mekas films 160 underground film people over four decades.
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
A glimpse of life through movement and memory, negotiating a narrative through images and sounds both personal and found, private and public, recounting four years of the filmmaker's life, relocating from Iran to the US.
On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.
Reminiscences of a trip to Čáslav
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.