A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.
A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.
2005-07-01
0
At the heart of the life of a family of beekeepers in the Spanish Salamanca.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
San Sebastián de los Reyes Bullring, Madrid, Spain, March 27, 1977. In response to the strange political alliances that were taking place between antagonistic forces in search of a self-serving consensus, the anarcho-syndicalist union CNT organizes a rally to denounce the reprehensible machinations of its adversaries. (Documentary shot in 1977; edited and released in 2011).
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
The incredible life of Jorge Semprún (1923-2011): son of a republican intellectual; exiled in the early days of the Spanish Civil War; survivor of the Buchenwald concentration camp during World War II; clandestine communist in Spain during Franco's dictatorship; controversial socialist politician; acclaimed writer, screenwriter and filmmaker.
The Via Emilia changes and becomes an open-air museum: hidden installations - although architecturally majestic - invite us to shift our perspective, to rethink the journeys that we thought we knew by heart.
On the occasion of awarding the Cervantes Prize to the Catalan writer Juan Marsé on 23 April 2009, family members, friends and writers offer a sincere portrait of the best chronicler of life in Barcelona, Catalonia, during the post-war period and the worst days of the General Franco dictatorship, in the forties and fifties, and during the economic development and the hard conquest of freedom, in the sixties and seventies.
This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.
In 1927, filmmaker Oskar Fischinger traveled for three weeks along the side roads between Munich and Berlin, filming frame by frame the people he met along the way and the places he passed through. In 2020, the director did a remake of this film during a month-long walk between Paris and Brest.
The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.
Somewhere in the Balkans, in a garden hidden by a large house, a story unfolds of a great love between two young women. Neither of them wishes to accept that their relationship might ever end. What happens, then, when one day fate takes an unexpected turn? Is it possible to part so suddenly from your beloved?
Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
By telling the human stories behind the entire value chain that gives life to the Spanish wine with the greatest international projection, ‘Rioja, Land of the Thousand Wines’ portrays a currently blooming wine region underpinned by the talent and the work of the new generations of winemakers that operate side by side with the region’s historic wineries. The film puts the focus on the match between territory and product, wisdom and tradition, and lays a bridge between the origins and the future of Rioja. An immersion into a fascinating world that, through captivating cinematography and careful editing, attempts to find the keys to understanding what Rioja wine is and what makes it so special.
This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.
I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.
When Spanish Civil War ends in 1939, some of the women who played a leading role in the creative and literary boom known as Generation of 1927, stay in Spain, sacrificing the spirit that had enlightened them; but many others take the hard and long path of exile.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.