My Haiku(2025)

The Hours(en)

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

The Internal Void of a Damaged Mind(en)

The Artist and His Canvas(en)

An experimental film revolving around how an artist perceives a man and a woman.

Finding Forrester(en)

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

Dead Poets Society(en)

At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.

July Dust(fr)

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.

Fungi(en)

As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.

rest.(en)

goodnight and rest.

Richer and Richer(en)

Losing her lover, mother, and hope for tomorrow, Gisele, the daughter of a crime syndicate, is forced to confront its oppressive leader – her father.

Teenage Dirtbag(en)

A popular high school girl is harassed by a delinquent boy until they are placed in creative writing class together. Through written words, they create a bond, but tragically a bond that cannot withstand her social pressures or his brutal home life.

DEEP SILVER(en)

A young man struggling with a shopping addiction embarks on a fashion-fueled journey to cleanse himself of an ailment called "Deep Silver."

The Sounds of 7am(en)

This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.

Dagerman(fr)

About the Swedish writer Stig Dagerman (1923-1954). More than a style, there is a Dagerman voice. This simple voice speaks softly, without emphasis, of simple people, of children, of old men, of his native Sweden. She is friendly to the humble, the solitary, the victims.

MUSTARD(en)

Tom Garbageman is such a bad artist even the movie he's in is bad. This is his descent into depression. This is an exercise in boredom. This is the story of a man in trouble.

Shutter(en)

SOME MEMORIES CAN HAUNT YOU

sad cup(fi)

a short exploration of the life of depressive cups...in finnish.

The Vikar(en)

Damián, a college student, discovers a strange error with his enrollment. While searching for answers, he finds himself trapped in a disturbing place, facing consequences he cannot understand.

He soñado con olas(es)

A teenager's obsession with recovering his stolen phone forces him to confront the ghosts of a recent toxic relationship.

The Tuba Thieves(en)

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.