Et après, on verra(2022)

Lacuna(en)

A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.

The Familiar Tide(en)

After reminiscing on her life, an abused older woman kills her husband. On her way to dispose of his body, she is forced to confront her guilt head-on.

Suposto Fim(pt)

A desperate mind can cling to many things in a tormented effort to compensate for emotional voids. They try to fill them with work, food, passions, alcohol, nicotine. In this way, an addiction is capable of shaking the most promising career and the kindest person. Betty is a young woman with many dreams, but her trajectory is put to the test as her mind begins to revolve around what is inside bottles. For her, it's what would fill the void in her heart, supposedly.

Three Walls and a Window(en)

A nuclear family sits in front of the television. The phone rings.

The Week(xx)

A young man tries to make it through the week.

Memories of Youth(en)

Grappling with the complexities of mental health and trauma in a digital age that feels isolating and overwhelming, a young person embarks on a surreal journey of self-discovery, navigating the raw truths of adolescence in an attempt to find a place in the world.

Boobies(fr)

A couple is making a sextape, but she has a question, and he doesn't know the answer...

Psychedelia(en)

Arda Wuyts experiments with editing and color.

The Internal Void of a Damaged Mind(en)

Deciso(es)

Plastic artist Leo invites young Dante to his art studio and proposes a peculiar game to leave all tension behind.

Liminally, Yours(en)

The last person on Earth revisits their memories as they wander a lonely world

I went away and forgot you. A while ago I remembered. I remembered I'd forgotten you. I was dreaming.(en)

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.

Last Valentine's day(fr)

Az' and Dan' are about to live their final Valentine's day.

Introspection(en)

Stephen, a blackbird, comes upon an abandoned mirror in a garden. Upon gazing his reflection for the very first time, Stephen begins to search within. Should Stephen return to his flock, or set out on an adventure to try and find his own way in life?

Topper(en)

Once a top rising comedian, Topper quickly falls from grace and finds himself struggling to get by in the cutthroat comedy scene of LA. His inability to face and accept his childhood has kept him from progressing. After an unexpected visit from a ghost of his past, Topper must return to Detroit to face his past and come to terms with his demons, before his dream and possibly himself dies off.

From Forest To City(th)

The story takes place in the year 1977 about the hero fleeing into the forest during the time when soldiers, police suppressed the communists. One day he meets the first villagers, everyone is afraid, but when the hero observes and analyzes that this villager is not disguised. A true villager Little knowledge due to loneliness of having to watch the spot alone, the hero tells the villagers to come back and forth. They are close to each other. It can be seen that only political ideology can divide us. One day the villagers suddenly didn't come as scheduled. The protagonist goes looking for the villagers. making the hero see bad things again

Nadveren(da)

Is It A Plaisir(en)

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.