Women are put in charge of the city government for a day, and the mayor must go to the train station to greet an opera singer.
Dance Act
Dance Act
Madame Beverly, Opera Singer
Information Kiosk Girl
Women are put in charge of the city government for a day, and the mayor must go to the train station to greet an opera singer.
1940-06-22
5.5
Carmen's caught in a virtual reality game designed by the Kids' new nemesis, the Toymaker. It's up to Juni to save his sister, and ultimately the world.
When Lenny and his wife, Amanda, adopt a baby, Lenny realizes that his son is a genius and becomes obsessed with finding the boy's biological mother in hopes that she will be brilliant too. But when he learns that Max's mother is Linda Ash, a kindhearted prostitute and porn star, Lenny is determined to reform her immoral lifestyle. A Greek chorus chimes in to relate the plot to Greek mythology in this quirky comedy.
LAPD detective Mike Dooley and his dog, the German Shepherd Jerry Lee, have been successfully partnered for ten years, but Jerry’s advancing age has Dooley’s superiors suggesting retirement and they are forced to work with a younger K-9 team: female cop Sergeant Welles and her disciplined Doberman Zeus.
The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
Three generations of women who seek to murder their husbands share a solidarity for one another which brings about three copy-cat drownings.
Monika from Stockholm falls in love with Harry, a young man on holiday. When she becomes pregnant they are forced into a marriage, which begins to fall apart soon after they take up residence in a cramped little flat.
On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
Afflicted with a terminal illness John Bernard Books, the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler. Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow and her son. However, it is not Books' fate to die in peace, as he becomes embroiled in one last valiant battle.
Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris' family, into the company of a cousin with his own intentions.
In the early hours of the night, young David Maclean sees a flying saucer land and disappear into the sand dunes just beyond his house. Slowly, all of the adults, including his once loving parents, begin to act strangely.
After the death of a septuagenarian woman, her three children deliberate over what to do with her estate.
Louise is not very popular at her highschool. Then she learns that she's descended from the witches of Salem and has inherited their powers. At first she uses them to get back at the girls and teachers who teased her and to win the heart of the handsome footballer's captain. But soon she has doubts if it's right to 'cheat' her way to popularity.
Desperate to be free from her drunken, unloving mother Diane, the beautiful, scheming young Mini seduces her stepfather Martin and soon convinces him to join her in a sadistic scheme to have Diane declared insane. But their conspiracy soon escalates to murder and when John Garson, a young detective starts investigating, Martin and Mini begin to turn on each other.
Rome, Italy. After committing a heinous crime, a senior police officer exposes evidence incriminating him because his moral commitment prevents him from circumventing the law and the social order it protects.
Doctor Sanada treats gangster Matsunaga after he is wounded in a gunfight, and discovers that he is suffering from tuberculosis. Sanada tries to convince Matsunaga to stay for treatment, which would drastically change his lifestyle. They form an uneasy friendship until Matsunaga's old boss Okada returns from prison.
Set in the not so distant future, in Any Town USA, sixteen-years-old Herman Howards makes a fateful decision. He enters his suburban school and kills thirty nine students, two teachers, and a police officer. Just before his arrest, he emails his idol, famous journalist Lax Morales, sending him clips of the shootings captured with Herman's own digital camera. In the clips Herman tells Lax, "I want to tell my story on your show". Lax, haunted by his own past, is now face to face with Herman.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.
A modern retelling of the Samson and Delilah story. A super roadie fights evil bouncers stopping a rock and roll crowd from having a good time. He then falls foul of an evil wench who seduces and cuts his hair in order to take away his strength.
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.
Julia Bullock, Joyce DiDonato and Jakub Jozef Orlinski star in Katie Mitchell’s thrilling new production of Handel’s Theodora in an alternative modern-day reality, Theodora, a religious fundamentalist, plots for the resistance against the Roman occupation. But when her secret plan to destroy the Roman embassy is discovered, she learns the true brutality of her oppressors. Harry Bicket conducts the Orchestra of the Royal Opera House
Tosca is a melodrama of love, betrayal and death set in the revolutionary unrest of 1800. The story concerns the opera singer Floria Tosca who tries to save her lover, the painter Mario Cavaradossi, from the brutal chief of police, Scarpia. Through-composed and expertly orchestrated it contains some of Puccini’s best-known lyrical arias and remains one of his most performed operas. In this 2022 production, an eminent cast is directed by the acclaimed Australian director Barrie Kosky
To recover a silver lion ornament for singer Emma Bunton Tim travels back to the court of Henry Vlll where Anne Boleyn (Emma again) asks jester Tim to send invitations to the guests for her Christmas party. However Cardinal Wolsey aims to steal them so that they will come to his own party and Tim must thwart him.
Unofficial sequel to Curtis Harrington's Queen of Blood (1966). Drums and orchestration are rumoured to be by Frank Zappa.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles. Louis Quilico was never quite in that league, and he sounds a bit spread and woofy in places here, but he works hard and effectively to bring Rodrigo to life. Placido Domingo recorded his first Don Carlo, for EMI with Giulini, about 15 years before this production, but he looks and sounds fine here -- in the early 1980's he was doing very good Otellos and Lohengrins too, and Furlanetto, still in his 30's, brings a rich, young voice to an old part and succeeds in making the Grand Inquisitor vocally as well as expressively formidable. Levine brings both weight and energy to the score, and that reading fits well with the overall "traditional" design and production -- the Met's wardrobe budget must have been severely taxed, but everybody looks splendid.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.
Based on the Biblical story of sin and redemption, Adam and Eve explore modern LA; the land of gods and monsters.
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
A woman who can't stand the passing of time turns herself into a black hole. A thousand unchanging years pass inside her warm and dark embrace until, finally, the Singularity awakens inside.
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).
In this short film, a boy holds a talent show in his backyard by and for his adolescent friends.