Little Square(NaN)

Black River(es)

Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez

The Revolution Will Not Be Televised(en)

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Campoma(es)

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

La autonomía ha muerto(es)

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Bolívar, Faro de América(es)

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

El rey del bandolín(es)

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Hugo Chávez: Itinéraire d'un révolutionnaire(fr)

Imagen de Caracas(es)

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

Testimonio de un obrero petrolero(es)

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

Vamos a contar mentiras(es)

A happily married woman lies with surprising ease because, according to her husband, she leads too idle a life.

Nireekshana(te)

Bhanu Chandra, a forest officer by profession falls in love with Tulasi, a tribal girl. He later gets arrested when police mistakenly identify him as a Naxalite and he subsequently receives life imprisonment. After he is released from jail, he hopes that Tulasi still waits for him despite all the years left behind them.

Problemos(fr)

When a pandemic strikes the world, Victor and his family get stuck within a hippie community.

As If It Were Raining(es)

By chance, writer Eddie Ross comes to the aid of a young woman on the street, a good deed that lands him a job with a strange underground character known only as Martínez.

A canterville-i kísértet(hu)

The Great Sketch Experiment(en)

Internet icons, teamed up with JibJab and legendary director John Landis in 2006 for The Great Sketch Experiment. Together they birthed some embryo of original comedies.

Society for Sale(en)

Successful model, Phyllis Clyne, convinces a down-and-out nobleman, Billy, to pass her off in society as titled gentry. They fall in love and when it turns out that her late father actually was a lord, they decide they now can marry.

The Last of the Ingrams(en)

Jules Ingram ( William Desmond ), the sole survivor of an old Puritan family, seeks solace and forgetfulness in drink. Unable to pay his debts, Jules is driven from his house when banker Rufus Moore ( Robert McKim ) forecloses on the mortgage. Offered shelter by Mercy Reed ( Margery Wilson ), a woman who in her youth naively sinned and has remained rejected by the community ever since, Jules begins to reform. Climbing his way back to respectability, Jules attends church with Mercy, causing a storm of protest. Moore's wife Agnes urges the mob to violence, and as they attempt to tar and feather Jules and Mercy, Mercy delivers an eloquent speech condemning Moore as her betrayer. The mob then takes Moore as their victim, leaving Jules and Mercy in peace.