El rey del bandolín

Un Anhelo Constante(es)

It’s Karla’s first birthday away from home. And music will be her way back.

Romeo Santos: Utopia Live from MetLife Stadium(es)

In this Concert he focuses on the star and most important defender of bachata, the Dominican singer and songwriter Romeo Santos, and his concert on September 21, 2019 at MetLife Stadium in East Rutherford, New Jersey, which broke attendance record . Romeo took advantage of this event to bring together, for the first time live, all the legendary bachateros with whom he collaborated on his acclaimed album Utopia (2019), to the delight of the public who sang his favorite hits.

The Revolution Will Not Be Televised(en)

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Guaco: Semblanza(es)

Dcumentary directed by Alberto Arvelo, which is a record for the posterity of as the first five decades of the career as the projection into the future of "La Super Banda de Venezuela". It is related from the present with interesting testimonies and electrifying performances in concert.

Locos de Amor, Mi Primer Amor(es)

It’s the final school year, and with it comes the long-awaited graduation trip to Uruguay, the last chance for everyone to be together before each one goes their own way. The story follows six teenage friends as they experience the first sparks of love and heartbreak, all while expressing a passion for music, tropical vibes, and Latin culture.

Babylon Club(es)

Danny Ocean wants to take his fans to a tropical paradise where they can relax and feel good about the music of his album “Babylon Club.”

Mayami nuestro(es)

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

Algunos cantantes, algunas canciones(es)

An approach to Latin American protest music.

Salsa(en)

The Fania All Stars perform for 44,000 fans at Yankee stadium in New York. Besides concert footage, there's also included a history of Salsa, and vintage film clips of Hollywood's portrayal of Latinos in movies during the 1930's and 40's.

Campoma(es)

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

Tiempo Compartido con La Vida Bohème(es)

Stop wasting energy following the plot. Who cares if your socks don't match? This is the mental vacation you needed. So sit down, relax and enjoy the best that a mercantile society can offer us: Fake remedies, seizure-inducing lights and the tenderness of opening your heart to a bandit. Classic songs with new faces and new songs that promise to be pool aerobics classics.

La Casa del Ritmo: A Film About Los Amigos Invisibles(es)

A compelling story about Grammy-winning Venezuelan funksters Los Amigos Invisibles, from their early days playing in Caracas, Venezuela, to being discovered by David Byrne of Talking Heads and their rise to international stardom. The viewer experiences their story as it intertwines with a live performance filmed at the Highline Ballroom in New York City in March 2011. The band, with the same original 6 members, celebrates 20 years in 2011.

Imagen de Caracas(es)

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

The Promise of Music(es)

The documentary accompanied the work of the Simón Bolívar Youth Orchestra of Venezuela.

ESE EME: The Unauthorized History(es)

An independent rockumentary that comprises first-hand testimonials about the history of Sentimiento Muerto, the most influential band in Venezuela, as well as the projects that came after its dissolution: Dermis Tatú and PAN.

A gozar con Billo. Luis María Frómeta(es)

Valuable testimonies, unedited images and Billo's iconic music depict his life from 1937 and throughout the following five decades, during which he immortalised Caracas' current affairs, public figures and historical landmarks in his musical arrangements.

Hugo Chávez: Itinéraire d'un révolutionnaire(fr)

Venezuela es un Desorden(es)

Through humor, anecdotes and their songs, mythical Venezuelan ska band Desorden Público tells their story and that of three decades of their country.

Un solo pueblo(es)

Documentary film directed by Manuel de Pedro and shot from 1983 to 1984. It portrays the creative, research, and learning process of a group of people who traveled to the most remote corners of the Venezuela in search of its authentic artistic expressions.

María Becerra - Estadio River Plate(es)