The horror film genre’s most iconic Scream Queens are featured in this documentary about women’s roles and triumphs, both on-camera and off.
Self
Self
A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
A documentary looking at the life and times of Donald P. Borchers, one of Hollywood's most underrated and under-acknowledged independent film producers. Particularly associated with New World Pictures in the 1980s, Borchers made a considerable mark in Hollywood, including through launching such franchises as "Angel" and "Children of the Corn."
Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.
Kuyashii Gonzo: Blood Visions and Chaos Magic is a Gonzo documentary about trying to make a no-budget feature film against the onset of the COVID-19 pandemic, unemployment, and death. To never give up, no matter how hard things get.
In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.
Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.
Nightmare in Canada is a television documentary that delves into the history of Canada's horror film industry. Not only do Canadian horror films have a distinct look and style, they also explore fear and dread in a truly "tundra terror" way through themes such as "man against nature" and "fighting the evil that comes from within." Nightmare in Canada uncovers gems from Canada's film history that combat the stereotype that Canadian cinema is bland or aloof.
The greatest cult horror and science fiction films of all-time are studied in vivid detail in the second volume of Time Warp. Includes groundbreaking classics like "Night of the Living Dead," and "The Texas Chainsaw Massacre," and sci-fi gems such as "Blade Runner," and "A Clockwork Orange."
A documentary about the production of From Dusk Till Dawn (1996) and the people who made it.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Behind the scenes footage of I'm Dangerous Tonight. Footage shot by Stan Giesea and Eric H. Lasher
Retrospective documentary taking a look back at the making of House, the 1985 horror film that became a nice little hit when it was originally released. Featuring interviews with producer Sean S. Cunningham, director Steve Miner, story creator Fred Dekker, cast members William Katt, George Wendt and Kay Lenz, composer Harry Manfredini, stunt coordinator Kane Hodder and various members of the special effects crew.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
Prestonburg, KY is a small blue-collar town with hunting, fishing, coal mining, and two of the biggest names in online horror talk radio: Wes Vance and Aaron Frye (aka "The Creepy Kentuckian" and "Uncle Bill") The two self-proclaimed "redneck geeks" bonded at a young age while their weekends devouring horror films. They now use their extensive horror knowledge to record a weekly podcast on DEADPIT.com and have found a worldwide audience through their candid conversation, quick wit, and lots of swearing. What started as an outlet to express their love for horror films has evolved into an online industry with millions of followers and the ability to talk to their childhood heroes. But what happens when your childhood pursuits start to collide with your adult aspirations? Can Deadpit survive it's own success?
This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.
The open road presents a point of departure for director lori lozinski to process deep-seated grief. Revisiting the formative experiences that drove her ambition, lozinski examines the influence of her parents in the present light of day.