O Rizo(2023)

Expuesta(es)

Expuesta brings to light the extraordinary photographic archive of Andy Cherniavsky, one of the most renowned and prestigious photographers in Argentina and Latin America. Andy carved out a unique place for herself as a photographer in a world that was dominated by men, as was the case in Argentine rock for decades.

Las Preguntas que Perdimos(es)

Ciudad de la Selva - Runaways & guerrilla in the forests of Casaio(gl)

Lo Que Queda en la Tierra(es)

In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.

All this Roughness(es)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

A la porra(es)

Ghost Dance(en)

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

The Hidden Battle(es)

During the Second World War, the Allies threaten to attack Spain, an allegedly neutral country, if the Francoist regime keeps allowing Nazi Germany to extract Galician tungsten, a strategic mineral, paramount to the war effort.

Viaxar aos teus recordos é buscar pelexa(gl)

Al-Nasr Al Tair(es)

Un viaje por Galicia(es)

Onde máis doe(gl)

After threatening his ex-partner for years, Marcos M. murders his 11-year-old son with a shovel. A year later a popular jury condemns him for murder, to kill making full use of his faculties, and determines that the crime against the child did not seek anything other than to punish the mother. In the fact on which we base ourselves, violence, harassment, the murder of a child to harm the mother and the death threat that still hangs over the woman concur.

Ojalá pudiera decir la verdad(es)

After collecting multiple records related to a painful family tragedy, Victor dives into the archive in search of answers about what really happened on January 26, 1983

Tattooed on Our Eyes We Carry the Aftertaste(es)

With great expressive freedom, Diana Toucedo transports us to a seaside village in Galicia. We are invited to observe the work of the women who collect shellfish, and hear from their own voices their relationship with their trade, the heritage of matriarchy and their sense of belonging. Sailors at sea complement this genuine and devoted community of workers.

Las aspirantes(es)

A story that explores the role of women in the Malvinas War. The protagonist, leader of a group of veteran nurses, commits suicide while this documentary is being filmed. Her companions took on her legacy and continue the fight for recognition in the face of the silence of history and the Argentine Navy.

Funes o Inventor da Lúa(es)

Julia se revela(es)

When Claudia reviews the photographs and objects of Julia Chambi, her great aunt, she begins a journey into the past, reliving the footsteps of who can be considered the first Andean and Peruvian woman photographer. Julia, daughter, sister, woman, artist, photographer, politician and lover of Cusco reveals herself in every story, place or person that remembers her.

As if it was the last one(es)

A voice says, “Start the car, I killed him!”, and a car speeds away. A basketball court, a family table, a school, and a public plaza begin as ordinary, empty spaces, gradually filling with life—though always marked by an absence. This short film retraces the life of Franco Castro López, a 16-year-old who enjoyed everyday life with his family and friends, doing what he loved and moving through the places he called his own. As national news outlets begin reporting on the deaths of several young people whose families are demanding justice, Franco’s case resurfaces. Through news footage, home videos, testimonies, voices, and photographs, a story once silenced becomes visible again. More than ten years after his killing, his face still covers the walls of Mar del Plata—carrying the hope that he was the last.

From Okinawa with Love(ja)

An Okinawan photographer, Mao Ishikawa spent her early 20s working as a barmaid in establishments catered specifically to African American GIs stationed in Okinawa. “There was love,” as the tagline reads, her photography book, 『Red Flower – The Women of Okinawa』 captured the diaristic intimacy of friendships, love affairs, and wild nights shared amongst her social circle of that time.

Canto de emigración(es)