2023-12-05
10
A behind-the-scenes look at the making of "Dracula" (1979).
As a wealthy retired surgeon nears the end of his life, he begins to distribute his wealth to those in need, stating that "all that I have belongs to God." His nephews bring him to court to determine his mental competence in the hopes of stopping him from disposing of all his money.
An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result. The muderer, Laiu, likes to take photos of the victims dismembered bodies as momentos. Inspector Lee is called onto the case in this bizarre thriller.
On the way to the market, the Israeli chicken farmer Marziano and his Romanian worker are stopped at a new roadblock. Marziano, the farmer, finds himself confronted with Nabil, a former worker in his stalls, now a police commander. In the burning heat of a merciless sun, it ends in a cockfigh
Diana González works for the police and successfully eliminates narco dealers. One of the narco bosses, Constantino, decides to punish her by making Diana's sister to use drugs. This poor girl ends up dying in a S&M orgy. Now Diana is going to kill all those who wronged her with her Machinegun (La metralleta) while being pursued by drug dealers and the local police.
Kizhakkunarum Pakshi is a musical film about film industry and the life and struggling of music directors, singers etc.
Sparkling performances by Judy Garland, Lena Horne, Al Jolson, the teenage Dorothy Dandridge and the flash-dancing Nicholas Brothers light up this great documentary that originally aired on educational television. Using rare and never-before-seen footage, singer-pianist and musical historian Michael Feinstein hosts an informative look at the composers and lyricists who wrote America's standards from the 1890s through the mid-1950s.
Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.
Binsar, a final year law student, son of Saelan, owner of the Metromini Bus business, recently lost his bus due to traffic violations. Binsar is involved in a complicated love affair with the spinster Sofia, the nephew of the famous Turpin's lawyer. Binsar and Sofia try to return their love in the midst of their respective problems.
Priest nags a crusty old man into reconciling with his daughter-in-law and granddaughter after the death of his son.
The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.
Sports photographer Amy Boyd's biological clock is ticking as she approaches the big 40. Nevertheless, her desire for a child is great, but she just can't get pregnant. She decides to go to a fertility clinic, but her partner Derek is not very enthusiastic about it. However, Amy is so desperate to have a child that she would go it alone. She is hoping for the support of her mother Libba, who also raised her alone. However, the death of her husband Jay almost 40 years ago still affects her, which is why she doesn't think much of Amy wanting to have a child from an unknown donor.
Sevgi is a singer who works in a bar. Her boss Vural fancies her. Sevgi meets Selim and they fall in love. Selim is unaware of her job at the bar. Vural sends his men to Selim's father to tell him about Sevgi's job, thus prevents her marriage with Selim. Selim doesn't believe in all this. Vural shoots Selim out of jealousy, yet due to lack of evidence he gets released. Sevgi and Vural marry but she takes Selim's revenge in shooting Vural, having no reason to live anymore she shoots herself as well.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.
Divided into 26 parts, an attempt to remake James Benning's film, YouTube (2011) with similar internet footage after 13 years.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
Date palms imported and cultivated decades ago flourish in the Coachella Valley in Southern California. A cacophony of voices from across generations reflect on the shifting landscape of the region; some remember the first few acres that were planted, while others enjoy the luxuries of new golf courses. Feet in Water, Head on Fire is a sensorially vibrant 16mm experience that takes us on a journey of past, present, and future. Director Terra Long hand-processed the footage utilizing leftover dates and native plants intertwining the environment into the fabric of the film. Through complex and nuanced scenes, non-sync interviews blossom into a wonderfully gentle but memorable portrait of a community in flux.
Time lapse of clouds and a mimosa tree to the silhouette at dusk.
Set in Munich's petty-bourgeois Westend, film documents life at home with former Fassbinder actor, Warhol collaborator, and horror movie director Ulli Lommel. Rather than a straight documentary portrait of this bohemian household, the camera prefers to follow the narrative impulses of the family members. Lost in serious play, the kids improvise hypnotic death scenes while their mother claims to come from a planet where everything is "ethereal and incorporeal." As parent-child relations are unscripted and re-scripted on the fly, the dilated time of a collective daydream is punctuated by the ordinary sounds of an electric toothbrush, vacuum cleaner, and piano.
A short film about the Nicholson School of Communication and Media building at the University of Central Florida.
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
Roads fall into the sea and a travelogue breaks against the landscape.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.
A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.