
Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia. Together, they navigate themes of mortality, unfulfilled dreams, and the fragile line between madness and clarity, uncovering the transformative power of light, art, and the landscapes that shape our souls.

Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia. Together, they navigate themes of mortality, unfulfilled dreams, and the fragile line between madness and clarity, uncovering the transformative power of light, art, and the landscapes that shape our souls.
2024-11-24
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10.0Yeda, the green-faced woman, sells homemade bread to support the house where she lives with her sick husband. Through the context of green-faced people, we know the reality of those who live on the fringes of a purple-faced society.
0.0A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
0.0In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.
0.0An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.
0.0Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.
A biopic about British philosopher and logician Bertrand Russell, who won the Nobel Prize in Literature in 1950 for his varied and significant writings championing humanitarian ideals and freedom of thought.
0.0Polo is pressured by his father to work and help with the household expenses. Faced with the lack of support in a town devoid of opportunities, Polo and his friends join forces to commit a robbery during Holy Week, while the traditonal burning of the "Chan Chan" is being celebrated; however, their objective changes when they discover some secrets circulating in the town.
10.0With the commercialization of the Day of the Dead as well as the growing popularity of Halloween, the Catrina wonders if Mexico will eventually forget about her and their traditions.
0.0After a long and successful career as a skater, Veronica has stepped away from competing, but continues her legacy by organizing skateboarding workshops to teach young girls from indigenous communities to skate, and to push them to fight back for the public spaces that have been occupied by men and to practice a sport that also belongs to women.
0.0Two lonely people cross paths while working in a coffee shop. Even with opposite personalities, they both want to move forward with the business which they use as a conduit to heal their wounds, even though they know nothing about coffee.
10.0A critical analysis by Jacob Geller analyzing the depiction of head- (or consciouness-) transplants in video games such as Wolfenstein 2 or Soma in parallel with the history of the almost-father of head transplants (his experiences having been limited to monkeys), Robert Joseph White. How did we end up moving the center of human consciouness from the heart to the brain ? Where does the soul come in to play here? When is the body / Theseus' ship no longer the body / Theseus' ship for having had its limbs / its wood transplanted too much ?
6.0Something strange and unpredictable takes inthe mysteriously vacant rooms of Berlin’s infamous Techno club Berghain. A group of wild animals occupy the monumental spaces of the former power station. We explore the building together with the animals and experience its dimensions from a new, nonhuman perspective. The brutality of the industrial architecture is confronted with the beauty of these shy creatures.
0.0Inspired by a tumultuous period in the director's relationship with her mother, the film draws a poignant analogy between the phases of their conflict and the ever-changing states of water along the coast of São Paulo, where the director grew up.
0.0The interconnection between the philosophical film body and the trans human body is explored through the film’s materiality and the use of analogue techniques. In a deeply personal investigation, parallels are drawn between the procedures both bodies must undertake to reach their final form.
10.0fragments from song lyrics of different artists have given life to this story about love, loss and desperation.