Alice Waters, Edible Schoolyard: San Francisco Foundation Community Leadership Awards 2006(2009)

Les influenceurs sont dans le pré(fr)

Raging Bull: Outside the Ring(en)

The third part about the production of "Raging Bull."

We're Here to Stay(en)

Farm families in Lestock, Saskatchewan, have pooled their resources so that rising operating costs will not drive them off their land. By pooling their land, their equipment, their livestock, and farming as a cooperative, they are able to live as they choose, to maintain their standard of living, and even to have some spare time left over to enjoy. An engaging look at a novel approach to big-scale farming.

Du béton sur nos courgettes(fr)

Fabinho(pt)

Food for Profit(it)

The film exposes the links between Agrifood and politics. With a pool of international experts it analyses the many problems related to factory farming: water pollution, migrants exploitation, biodiversity loss and antibiotic resistance.

The Invention of Chris Marker(en)

A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.

L'échappée(fr)

Sriracha(en)

Sriracha has earned a cult following, but the story of this spicy sauce is a mystery to most fans. Dedicated to Sriracha lovers, this fast-paced documentary travels around the globe to reveal its origin and the man behind the iconic 'rooster sauce.'

À nos terres : Autonomia paisana(fr)

The Good, the Bad and the Ugly(uk)

Captured during the events of Euromaidan revolution in Kyiv, Ukraine, an expressive argument looks like something out of the movie by Sergio Leone. Short documentary sketch by Babylon 13. As per Babylon'13 tradition, no filmmakers were initially credited for the short piece, although following festival screenings and awards identified Dmytro Sukholytkyy-Sobchuk as the filmmaker behind it.

Once upon a time returning to my hometown(ja)

Extra, behind scenes from Hideaki Anno's film Ritual (also known as Shiki-Jitsu).

Frontier Documentary(en)

An NHS nurse of twenty years reflects on a challenging and strenuous career as time dwindles to her retirement.

How We Live(es)

In California’s Central Valley, tucked between the county jail and the shooting range, 100 Mexican-American farmworking families live, love and strive at the Artesi II Migrant Family Housing Center. Until every December, that is, when they’re asked to leave.

Turkish Professor at the Agricultural School(mk)

Early Balkan footage.

Do You Love Me Like I Love You (Part 10: The Boatman's Call)(en)

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A Star Is Drawn: Rob Simone's Look Inside Comic-Con(en)

This fast-paced Documentary was filmed inside America's biggest Comics/Film Convention and includes informative and humorous interviews with Levar Burton (Star Trek Next Generation, Roots), William Shatner (Star Trek, Boston Legal, Wrath of Khan) Lou Ferrigno (The Hulk) Saul Rubinek (Warehouse 13), Paul Michael Glaser (Starsky and Hutch, Num3ers) Nicholas Brendon (Buffy the Vampire Slayer, Criminal Minds) and more!

Come In(en)

"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?

DIE WELT SIND WIR(de)

The documentary "THE WORLD IS US" portraits inspiring people who actively shape a cultural transformation, characterized by self-reflection, humanity and sustainable thinking.

Production Line Animals(fr)

How did it come about that we no longer see living beings in farm animals, but objects? Every year, 70 billion farm animals are slaughtered for consumption around the world. 80 percent are kept on large farms. They live crammed together in overcrowded stables, are fattened and finally slaughtered without ever having been in nature. In less than two generations, intensive husbandry has become established worldwide. Researches in Poland, the USA, Germany and Vietnam gets to the bottom of the system and those responsible. The meat industry is subsidized by the state. Corporations, governments and consumers tacitly support a deregulated and dehumanized economic system that makes unlimited consumption of animal products the norm - and with it, animal cruelty. The documentary film describes the triumph of industrial agriculture, in which the animal has to endure unimaginable suffering, becomes a commodity, a raw material that is always available and can be slaughtered and processed at will.