This digital video arose from the idea of trying to transfer to film all the photographic images I had created with the so-called “photo-finish” technique. While in the process of completing it, I used single frame digital animation to shoot the faces and their sudden transformations when subjected to the photo-finish technique, transferring them, then imparting motion to them in a single animated sequence on the computer. This agitation, torn from photographic fixity [is] subjected, in turn, to distortion by its intersection with objects texture-mapped with those same faces. The passage from motionless quiet to paroxysmal interference; the animating startle of Bach’s cello.
This digital video arose from the idea of trying to transfer to film all the photographic images I had created with the so-called “photo-finish” technique. While in the process of completing it, I used single frame digital animation to shoot the faces and their sudden transformations when subjected to the photo-finish technique, transferring them, then imparting motion to them in a single animated sequence on the computer. This agitation, torn from photographic fixity [is] subjected, in turn, to distortion by its intersection with objects texture-mapped with those same faces. The passage from motionless quiet to paroxysmal interference; the animating startle of Bach’s cello.
2002-01-01
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A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.
The mind of a prisoner, expressed through various poetic stanzas, corrodes at the same rate as the house they are trapped in.
With his emotional state shaken and with no expectation of improvement, faced with the disastrous new generation of students that emerged from the 2000s onwards, Professor Roberto finds his only refuge on full moon nights.
Colors and snowfall surround a street lamp with a loose fixture on time and space in this abstract ambient vid.
A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)
Video images, shot from the Yamanote train that follows its route around the city of Tokyo have been transferred to black & white 16mm film in order to treat them by hand with chemicals and create a soundtrack using grains. - A dark journey through a world made up of cloudy, lost grains of film in a microscopic dimension.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
In his Miami studio, built as a solar observatory, a famous painter lives alone, without a wife or children. His only obsession is to paint at dawn. But for some unknown reason, as he prepares to finish his last canvas, that morning the sun does not rise.
What happens when two hands touch? How close are they like? And how can proximity be measured, and even more so, in times of a pandemic and distancing? We think we touch things, that we can take other people by the hand, but physics tells us quite another story.
An oneiric moment in the contradictory sensations that arise when experiencing the COVID-19 pandemic.
A quiet mediation on the sea (and what might lie beneath the surface?) from the late 70s.
A father must face his dark past when his gifted daughter has visions of a young girl reborn from her deceased mother. This award-winning metaphysical thriller combines elements of art house, avant-garde, surrealism, and experimental horror.
Propulsive Polish avant-garde animation following clouds of shapes that resemble nebulae or stellar surfaces.