4to Piso

vvvamor(pt)

A formally free poetic documentary filmed through a summer depression in northern Portugal.

If it Won’t Hold Water, it Surely Won’t Hold a Goat(en)

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

Bangkok is sick.(th)

The uncomfortable feeling caused by the loss of identity experienced by provincial youngsters who move to Bangkok. Depression might result from growing up in the provinces in the middle of Bangkok, which is a different atmosphere. feeling unrecognizable and eventually losing your identity and thoughts without realizing it.

The Noise of Time(es)

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

Tides(en)

Filmed at Masonboro Island, an undeveloped barrier island in southeastern North Carolina, “Tides” contemplates the liminal space between the modern technological world and that more ecological dimension we label as “nature” or “the environment.”

A Jornada(pt)

A mixture of a time travel, a documentary, artistic and performative record of the director's subjective view of the places, people and moments he spent from 2015 to 2018. Filmed on super 8 mm film.

The Dark Gene(de)

The film tells a very personal story from two perspectives: our protagonist is both doctor and patient. As a patient, he has struggled with recurring depression for years, and as a doctor he wants to find out why. The search for the origins of his illness leads him into the realm of his own genes and casts light on the fundamental changes facing modern society as a result of the tremendous progress being made in the field of genetic sequencing. Along the way, he meets a host of people – researchers, artists, visionaries – who have developed their own very individual approach to genetic coding and are drawing attention to the social significance of genetic technology. The film does not restrict itself to a scientific view of the subject but also makes use of artistic visions and more playful approaches to genetic blueprints.

Animot(cs)

The experimental documentary filmed at rescue centres in Prague and Vlašim refuses the anthropocentric perspective and views the world through the eyes of wounded animals. The term Animot was taken over from Jacque Derrida. While the French philosopher and deconstructivist uses the term to refer to everything animalistic and non-human, the film, on the other hand, uses intimate details to point out the proximity between human beings and animals. They are connected by their vulnerability, helplessness and mortality.

The Psychedelic Experience(en)

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

The Mind We Live In(en)

Experimental documentary about what it means to be at peace.

Becoming Air(de)

Breathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.

Diana: In Her Own Words(en)

Using home videos recorded by her voice coach, Diana takes us through the story of her life.

Fair Use Vol 1. (All This Trouble)(en)

A compilation of TV news about black culture.

An Uncountable Number of Threads(en)

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Blue Movie(xx)

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

Trapline(en)

Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".

Where Is Amy Pressman(en)

In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.

The Beksińskis. A Sound and Picture Album(pl)

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

Celina y Chichi(es)