La petite ancêtre(2024)

Viktor & I: An Alexander Vesely Film(en)

For the first time, Dr. Victor Frankl through the eyes of those closest to him. A defining character of the 20th century, not only a genius, doctor and survivor of Nazi terror and tragedy but a man who lived, believed and loved.

Off Beat(en)

An adventure involving biscuits, a TV and absolutely no police whatsoever.

Ludwig 1881(de)

In 1881 Ludwig of Bavaria goes on a cruise on a Swiss lake. He takes with him a famous actor, Josef Kainz, to act out the scenes from a story which took place on the lake, at the actual locations.

Ford at Pearl(en)

A look at the recently discovered fascinating behind the scenes footage shot by the legendary Hollywood director John Ford at Pearl Harbor in 1942 while filming his popular World War II documentaries December 7th and The Battle of Midway.

Tango(de)

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

Será tu tierra(es)

Vestindo Histórias(pt)

The Downtown Project(en)

Just a stone’s throw from downtown Montreal is the largest social housing complex in Quebec. Built in 1959 where the red-light district used to be, Les Habitations Jeanne-Mance have retained something of the area’s seedy reputation for poverty, prostitution, drugs and violence. But who really knows the projects and the people who live there? Delving beneath the prejudices and stereotypes, director Isabelle Longtin ventured inside the buildings and met the residents.

Help! I'm a Fish(da)

Three children are accidentally transformed into fish after consuming a potion made by an eccentric scientist. The kids end up in the sea, with one problem: they must find and drink the antidote within 48 hours, or forever remain as fish.

Johann Winckelmann - The Love of Art(de)

He described his love of art as his greatest inclination from his youth: Johann Joachim Winckelmann as a representative and rediscoverer of Greek and Roman antiquity. He was the father of European art history and was the victim of a robbery-murder in 1768. The documentary tells of his life, his work and his early death.

Berlin Babylon(de)

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Transumanza(it)

L'Énigme de la pyramide maudite : Dahchour(fr)

In Ur Eye(en)

A short documentary on the gentrification of Hackney.

Westerborkfilm(xx)

Operation: Jane Walk(en)

The war zone of a dystopian multiplayer shooting game is used to embark some urban explorers on a winter walk, avoiding the combats whenever possible, as peaceful observers, inhabitants of a digital world, which is a detailed replica of Midtown Manhattan.

Canto a la Patria que ahora nace(en)

Based on a poem and archive images, the military aggression of the US army stationed in the Canal Zone against the Panamanian people who demand to raise their flag in the territory occupied since the beginning of the 20th century is reconstructed and denounced. The aggression that occurred between January 9 and 11, 1964 left a balance of 21 patriots.

Dallas, une journée particulière(en)

November 22, 1963, John Fitzgerald Kennedy was assassinated in Dallas. Through the perspective of various stakeholders, Patrick Jeudy attempts to trace step by step the progress of this black day in American History.

WINHANGANHA(en)

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

A Short History of the Highrise(en)

“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.