Las Bancas(2024)

vvvamor(pt)

A formally free poetic documentary filmed through a summer depression in northern Portugal.

L'Ánimal Plus Étrange Du Monde(fr)

The Moviegoer(en)

A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.

¡Casa Bonita Mi Amor!(en)

Casa Bonita opened in 1974 in an unassuming strip mall. The massive "Disneyland of Mexican restaurants" is an Old West and Acapulco-inspired fever dream made famous by its indoor waterfall, cliff divers, and haunted caves, and was featured in a classic 2003 episode of South Park. When its creators, Trey Parker and Matt Stone, learn that Casa Bonita might close its doors for good, they attempt to preserve a crumbling piece of their childhood and Denver history.

The End of Summer(fr)

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Big Voice(en)

BIG VOICE captures a tumultuous year in the life of a visionary high school choir teacher and his students as they overcome seemingly insurmountable obstacles to become one big voice in this inspiring musical documentary.

Picture Abhi Baaki Hai...(en)

A memoir celebrating yesteryears of cinema and how silver screen has evolved over the years, this documentary is ode to cinema by the audience, for the audience.

American Teen(en)

A documentary on seniors at a high school in a small Indiana town and their various cliques.

The Eternal Night of Twelve Moons(es)

On the Guajira peninsula in northern Columbia the old traditions of the indigenous Wayuu still hold sway. As soon as they begin menstruating, young women have to go and spend a year in a simple hut where only a few women are allowed to visit them. Contact with men is taboo. The grandmother is chiefly responsible for preparing the girl for her role as a woman during this period of seclusion. Pili is 12 years old when, for her grandmother's sake, she decides to follow this custom. But does she really know what she is taking on?

22-17 a.k.a Anyways: Chapters I & II(es)

Early spring, 2022. Seventeen (or more) friends live through what they don't know will be a quick last few months of school, facing their final exams, closing activities, but more importantly the idea that they may never see each other again. Chapters I and II see the craziness mixed with the sense of possible loss of a friendship that surfaced quickly and may be fading all too soon.

Last Of The Summer Wine: 30 Years Of Laughs(en)

This new special reveals the secrets of the long-running sitcom's extraordinary success. Helped by former cast and crew members, families of the stars no longer with us, and celebrity fans, we learn the secrets of this comedy classic and get to see previously unseen interviews and rare behind-the-scenes archive footage.

Blue Boy(fr)

Yannis is 22 years old. The restless soul, the heart that beats for music. In Marseille, surrounded by a group of passionate friends, his goal is that of thousands of others: to make a living from his art. We delve into his daily life, the creative process of his first EP and an encounter with a tumultuous youth. How to learn to live in uncertainty? What does it mean to want to be an artist? And above all, how can you be happy when you're a blue boy?

A Word from the Director(en)

Mike De Leon imagined Citizen Jake “as an indictment of the Duterte regime using its horrific forerunner [the Marcoses] as a template of authoritarian rule,” and he caused a stir, as usual, in posting this promotional short for the film on social media. This short is essentially a Director's Statement in video essay form, and has been screened at New York's MoMA in their Mike De Leon retrospective.

Drag Kids(en)

Four precocious preteens perfect their lip-synching and runway walks in anticipation of the biggest drag performance of their lives at Montreal Pride, in this fierce and joyous celebration of acceptance and self-discovery.

Sense of Tumour(en)

With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.

A Poem for My Blanket(en)

Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.

Step(en)

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

To Be Beautiful(lv)

The documentary explores issues of beauty and acceptance in a culture increasingly saturated with idealised and unattainable ideals of femininity. It is a story about the world of young girls in today's Latvia, based on conversations about girls' attitudes towards the world and their place in it.

Scheme Birds(en)

As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.

Crossroads(tl)

Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”