To Be Beautiful

A Place of Our Own(it)

Madrepérola(pt)

Vadātājs(lv)

'Vadātājs' is an ancient Latvian mythological creature that leads people to Nowhere. As Latvia has been declared the most superstitious country in the EU, it is important to understand – what do we believe in? Three young filmmakers – a director, cinematographer and sound girl – question if Latvia is a lost country and if a Vadātājs has achieved enormous power by leading Latvian society into confusion. A search for a contemporary Vadātājs*, and the understanding of the origins of confusion within people in the 21st century.

The End of Summer(fr)

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Residents(lv)

The documentary “Residents” probes problems in Latvia in general and Latvia’s medicine in particular with the story of two energetic young interns, Kārlis and Laura.

Dinārs(lv)

Dinārs is a Latvian schlager singer popular with the ladies and known for his big cat mane. The eponymous film follows his path over a turbulent season of work.

We’re Still Here(lv)

The film portrays the political situation in occupied Latvia 37 years ago, when writer Imants Ziedonis formed a group of like-minded peers into ‘’Dižkoku atbrīvotāji’’ – DAGi. Film reels and photos of the time show Imants Ziedonis and the DAGi participants – Māra Zālīte, Anna Žīgure, Roze Stiebra, Andris Buiķis, Vitolds Kucins and others. Today, with their contemporary experiences, they reflect on a time when the dream of an independent Latvia seemed impossibly far away. We’re Still Here reminds the younger generations that it’s possible to do good in the name your nation and its future not matter the circumstances.

Sencis: Old Man(lv)

A documentary that chronicles twin brothers searching for their absent father in faraway Russia. Having very few leads, the twin brothers – different in character and interests – are also looking for the ties that have never bound them as closely as they would have liked.

Generation C(nl)

Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?

Bodysong(en)

Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.

The Inked Family(lv)

“The Inked Family” follows a couple of married Latvian-born tattoo artists – Anrijs and Monami Frost of online fame. They’re now living in Liverpool with their daughter, and their previous lives in Latvia seem almost surreal to them. The film traces Monami’s past, and the couple’s current lives and the success they’ve found as tattoo artists.

I Beg You to Like Me(tr)

“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?

Straight/Curve: Redefining Body Image(en)

A documentary about body image and the industry leaders challenging society's unrealistic and dangerous standards of beauty.

COMPLEXion(en)

"COMPLEXion is a documentary that aims to unpack the hegemony of skin color globally and challenge the archaic notions that exist surrounding it. Our mission is to defy toxic beauty standards through raw human stories."

No Lye: An American Beauty Story(en)

A documentary that chronicles the rise and decline of the black-owned ethnic beauty industry in America.

Bangla Surf Girls(bn)

Three working-class teenage girls in a port city in Bangladesh escape daily hardships and stifling family lives by riding waves on their surfboards and grabbing hold of the fleeting and thrilling sense of freedom that brings.

Easy Lessons(en)

Kafia, a young girl on the brink of adulthood, has to leave behind a lot of what defined her Somalian life as she tries to adapt to her new existence in Hungary. As the family’s cultural values and taboos start to fall apart, Kafia tries to explain and make sense of all these changes to her mother left behind.

If Trees Could Talk(lv)

Deniss is a Russian-speaking young man working at a fast food chain and spending his days in a small, gloomy apartment where all the things still remind him of his dead grandmother. Once a week he takes the stage, becoming a stand-up comedian. His jokes come from his life, which might be called dull as well as bleak, and, as he puts it, his ‘uninteresting biography’.

L'Adage(fr)

« Shunned by her peers, a ballerina struggles to find her place in her dance group. In echo, three women reveal the invisible scars left by beauty standards. »

Narcotics, Why Not?(en)

This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.