Ancestral Bone(2023)

Nova the Film(en)

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Me and My Victim(en)

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

All about clandestine girl.(nl)

Red Autumn(de)

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

IMG 0000(en)

A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).

Artificial(en)

Innocent nature walk leads to a discovery of the morbid nature of humans.

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Cormac McCarthy's Veer(en)

Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious

The Phantom Liberty(es)

Art is a freedom for those who make it and for those who look at it. A freedom that ends when the violence starts. In Mexico, every day eleven women are murdered and in more than ninety percent of the cases impunity prevails. Through the testimony of seven women, this documentary essay reflects on femicide and the destruction that this leaves a country and its culture. Because in times of horror, art cannot be the same, every time a woman is murdered, a museum or a library collapses in the world.

Hacımirza diaries fahrettin(tr)

A Dança dos Mosquitos(pt)

Fajr(ar)

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

The Meadows Green(en)

Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an Edenic backdrop of Vermont farm country in George Griffin and DeeDee Halleck’s luminous, lyrical short film, which documents the 1974 edition of the Bread and Puppet Theater’s annual Domestic Resurrection Circus, taking place soon after the company’s relocation from downtown Manhattan to the rural New England enclave where it remains headquartered to this day.

Escombro(pt)

Escombro is a collage and found footage film that brings together a series of natural disasters around the world over the last thirty years. The film features disasters caused by climate change and also the exploitation of the earth's natural resources.

I Am Scared As Hell(en)

Experimental video art shot in the Wallingford neighborhood of Seattle

Guaret(ca)

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Dream of the Wild Horses(fr)

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

A Collection of Images from the Point of View of Lightness of Being(en)

A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.

The Mermaid(es)

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Ferrum(sv)

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.