Pulitzer Prize-winning cartoonist and author Art Spiegelman discusses his graphic novel "Maus," which chronicles how his father survived the Holocaust. Also included a journey to Auschwitz, with his wife and art director Francoise Mouly-Spiegelman.
Self
Self
Pulitzer Prize-winning cartoonist and author Art Spiegelman discusses his graphic novel "Maus," which chronicles how his father survived the Holocaust. Also included a journey to Auschwitz, with his wife and art director Francoise Mouly-Spiegelman.
1987-12-18
0
In 1961, history was on trial... in a trial that made history. Just 15 years after the end of WWII, the Holocaust had been largely forgotten. That changed with the capture of Adolf Eichmann, a former Nazi officer hiding in Argentina. Through rarely-seen archival footage, The Eichmann Trial documents one of the most shocking trials ever recorded, and the birth of Holocaust awareness and education.
In an article on the Vatican and the holocaust at Jewish Virtual Library it says: “Pope Pius XII’s (1876-1958) actions during the Holocaust remain controversial. For much of the war, he maintained a public front of indifference and remained silent while German atrocities were committed. He refused pleas for help on the grounds of neutrality while making statements condemning injustices in general. Privately, he sheltered a small number of Jews and spoke to a few select officials, encouraging them to help the Jews.” This is a highly interesting documentary on this controversy.
Teodor Kovač, Ivan Ivanji and Marta Flato survived the 1942 pogrom known as the Novi Sad raid, when Hungarian fascists killed more than a thousand people from Novi Sad and dumped their bodies under the ice of the Danube river. Sociology professor Marija Vasić fights against forgetting and teaches students about the Novi Sad raid, while the local authorities erect a controversial monument to innocent victims, and on that list are the names of war criminals who participated in the Novi Sad raid.
Silent archival footage of Jewish children during the Holocaust, accompanied by music and poetic narration. A haunting portrait of a future generation lost to cruelty and genocide.
Eva Mozes Kor recounts her experiences during the Holocaust.
Under Their Skin: Tattoos of Memory and Resilience is a character-driven film featuring grandchildren of survivors (3Gs) who have made the controversial decision to tattoo their grandparents’ concentration camp numbers on their own bodies. The film follows subjects as they navigate personal relationships and public interactions that alternately celebrate and challenge their decision—and raise questions about the reenactment of trauma, and the act of transforming that trauma into healing. In interweaving storylines, we will meet 3Gs whose stories reveal that historical remembrance is an essential part of engaging with social issues and the rise of hate and intolerance today.
Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.
This documentary tells three stories about Jewish properties stored during the Second World War, their Jewish owners and their non-Jewish custodians.
The first official Jewish transport to Auschwitz consisted of 999 Slovak girls and young women. This documentary features several survivors from that transport.
Set in the dense forests of 1940s Eastern Europe, this story reveals the supernatural encounters that challenge three soldiers' understanding of life and death.
Based on the true story of Joseph and Rebecca Bau whose wedding took place in the Plaszow concentration camp during WW2. Using his artistic skills in the camps, Joseph stays alive and helps hundreds to escape. Miraculously, he finds love in the midst of despair. Years later, when called to be a key witness in the trial of the brutal Nazi officer who tortured him and killed his father, Joseph is thrust back into vivid memories of the Holocaust. Now, he calls upon this love and resilience of spirit to face the ultimate demon of his past.
Ajay Dixit, an ordinary history teacher in a high school, enjoys mini celebrityhood in his town courtesy of the fake image he has built. He shares a strained relationship with his newly-wed wife. Circumstances force him to take a trip to Europe for the World War II trail accompanied by his wife. Will his relationship with his wife survive this trip? Will he manage to win the war within?
From Ceará to Bahia, passing through Rio Grande do Norte, Paraíba and Pernambuco (and with the counterpoint of the Northeastern diaspora in São Paulo and Rio de Janeiro), the documentary seeks to survey the contemporary Northeastern imaginary: a mixture of the most rich or archaic regional traditions with influences from the more modern mass culture of the era of globalization.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Megacities is a documentary about the slums of five different metropolitan cities.
An experimental documentary on dancing and its part in subcultures from punk to electro.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.