Silent archival footage of Jewish children during the Holocaust, accompanied by music and poetic narration. A haunting portrait of a future generation lost to cruelty and genocide.
Narrator
Silent archival footage of Jewish children during the Holocaust, accompanied by music and poetic narration. A haunting portrait of a future generation lost to cruelty and genocide.
0
In 1946, just after the end of World War II, a secret organization of Holocaust survivors plans a terrible revenge: since the Nazis have killed millions of Jews, they will kill millions of Germans.
In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.
A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.
Ein Qiniya, a small Palestinian village in the West Bank, occupied since 1967. This is where Milena Desse is to make her own enquiries: how can one decipher remaining traces and reconstruct History? How can one shine a light, as they say, on such places? Determined to unfold the layers and work out the creases like so many clues about some buried history, the young director strives like an archaeologist, equipped with a magnifying glass and a camera.
Hosted by Julianna Margulies, this special brings together the stories of four Jewish Holocaust survivors and the reflections of present-day teens learning the details of the genocide.
A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.
Short subject on how fashion is created-- not by the great couturiers, but on the street.
Sing! is a 2001 American short documentary film about the Los Angeles Children's Chorus, directed by Freida Lee Mock. How do squeaky-voiced 8 year olds become amazing singers? Sing! tells the story of how a community group, amid severe cutbacks in the arts, is able to develop a children's chorus that is one of the best in the country. It was nominated for an Academy Award for Best Documentary Short.
In this documentary Edo Maajka, Bosnian hip hop star talks about war, his life as a refugee, war crimes, forgiving and making peace, nationalism, music scene in Croatia and Bosnia, Balkans mentality, love and hate, cevap restaurants, Sava river, partings, life of music stars, Lepa Brena and Nele Karajlic, politicians. His mode of narration and his charisma, his sincerity and his relaxed camera appearance will surely capture the spectators' attention.
Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
The animate body as a medium for the celebration of life is on display as a young Jane Korman dances with her parents and their friends, all of whom are Holocaust survivors, in an Australian forest.
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
Video Nasty; once a term referring to films that were criticised for their violent content in the early 80s, now the name of an up-and-coming film production company in Sydney, Australia. Join us in this two-minute documentary where university student and founder of Video Nasty, Lachlan Wylie, speaks on his experiences since starting the company in May of 2022.
Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.
A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".