Cecillie Østerby Rasmussen
Óli Jákup Johannessen
Viktor Örn Ingvarsson
Magnus Valls-Sjøstrand
Mille Weng Andersson
2024-06-04
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An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
Citizens across Europe who used to belong to the lower middle class have fallen into poverty. An in-depth investigation into the precariat, a new social class of financially insecure citizens who, although they are employed, find it very difficult to make ends meet.
What makes a voice “gay”? A breakup with his boyfriend sets journalist David Thorpe on a quest to unravel a linguistic mystery.
Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
Almost half of the residents in the South Bronx live below the poverty level. One in four do not have access to quality food. Anita, among others, makes difficult choices to provide for her family. She depends on the local food pantry to make ends meet.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.
Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.
The Body Machine is a landmark special on the human body that shows us just how much, how many, how large, how strong, how fast - just how amazing the body really is. Utilizing impressive large-scale real-life stunts, CGI and strong character stories, the show makes the staggering scale of the inner workings of the body tangible. We will show you how far our blood travels in just one day - an astounding 19, 000 km - from Quebec City to Buenos Aires and back. You will see all the cranial fluid you produce in your lifetime laid out in front of you - all 26,280 pint glasses worth. And in just one day you will take 23,000 breaths - enough air to fill 7,714 helium balloons. You will see all this and much more.
Famous worldwide for its great wines, the Bordeaux region represents French excellence. But this idyllic postcard also has its dark side. The workers in the vineyards are working in increasingly precarious conditions, to the point of putting their health at risk. A handful of them are resisting this fate.
A festival of digestion on many scales, from planetary to microbial.
This film is an in-camera portrait of my niece, Mia Larose (who was six months old at the time) captured during a winter family reunion in Lac Saint-Charles, Québec. Shot on a single roll of super 8mm film and hand-processed.
Jagoda and Zuzia giggle in the opening scenes in the way that only 11-year-old girls can. Together they are the center of their own changing world. On the face of it, not much happens in the lives of these Polish best friends, but big changes are on the way. The end of primary school is in sight, and the girls are impatiently awaiting first love, budding breasts and first periods.
While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.