A Field of Sheep(2024)

Atlantis(en)

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

The Severed Heads Are Smiling(fa)

A passenger picks up a woman at dawn who is to be a guest until midnight. Their journey begins...

1,2,3... Barcelona!(xx)

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

Routine(hu)

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

Terpsichore(en)

Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.

O Tempo Passa(pt)

Metropia(es)

Ottimismo democratico(it)

Plastic Him(en)

A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio cassette tape. The tapes themselves are recycled which means I have recorded over them several causing them to slowly degrade.

Looking Back Before You Leap(en)

A collection of memories from a tumultuous time at University.

unbroken rhythms(en)

a poem. trees. fragments of fritz. love—and nothing besides!

Layering(en)

This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.

Jo(en)

Jo; or The Act of Riding a Bike is Zefier's third film.

Soft Self-Portrait of Salvador Dali(en)

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

Vietnam Story(en)

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

Somewhere Real(en)

Roads fall into the sea and a travelogue breaks against the landscape.

The Psychedelic Experience(en)

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

Dissolution(xx)

This video takes a particular viewpoint, with the camera placed behind a zone of blur. Slowly, we experience the perception of an expanded time. An expectation is created and resolved in the observation of the passage of boats that dissolve into the nebulousness, disappearing from our sight like a mirage.

sonic salt(de)

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?