2024-03-14
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An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.
Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
2067: Isolation: Japan seals herself off from the eyes of the world in the face of unilateral international policy setting strict limits on the use of robotic technology. The island nation exists only behind a veil of seclusion. No soul shall enter. No soul shall leave. 2077: Revelation: The veil is breached. Japan is infiltrated by agents of the organization S.W.O.R.D., a fighting force operating outside of the protection of the United States and her allies. Their mission: Determine if the Japanese are developing banned robotic bio-technology, forbidden due to its threat to humankind. In the battle between machine and man, humanity stands to suffer most.
As Orson Welles, I might say: Art is the grand illusion, a mirror reflecting the complexities of the human soul. It's a symphony of ideas, emotions, and truths, played on the canvas of our shared humanity.
Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.
A post-cyberpunk short film featuring Kei, a young programmer who attempts to resurrect their lost mother by coding an A.I. that can input childhood memories with the help of her diary.
Roads fall into the sea and a travelogue breaks against the landscape.
Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.
Scroll paintings prepared like film strips with successive images.
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.
An experimental, AI-driven film which deconstructs art history, recombining artistic movements and eras into an evolving mash-up. The piece serves as an accelerated synopsis of the history of the visual arts, weaving together recognizable imagery into new, emergent forms.
The hectic life of a modern city. Surreal animation by Jerzy Kalina