
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
1934-01-01
0
6.5Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
7.3Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."
0.0Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.
0.0Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.
6.5To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
6.3Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
10.0Four short vignettes in this early animated film. In the first, shadows pull away to reveal a puddle, and automobile and bicycle tires pass through it. In the second, cutout shadows of a variety of shoes of people walking are seen. The third is a flurry of geometric forms. In the fourth, the playing card spade courts the heart and pushes away the club, but eventually the club returns, beats up the spade, and wins the heart. (Source: AniDB)
0.0A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
10.0A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
0.0An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.
4.8Meet Dee Laytner and his half-Japanese partner, Ryo McLane, a pair of detectives from New York. Not only are these two always chasing down criminals, but Dee can't stop himself from trying to 'chase' Ryo. While on a trip to England, Dee hopes to make his feelings for Ryo known but uninvited guests and a string of murders gets in the way. The pair become involved in the local crime scene when Japanese Americans start turning up dead. Will Ryo be in danger?
0.0A surreal music video where a pop-up world of greed, rebellion, and revolution unfolds as cherubs, a devil, and a modern-day Jesus clash in a satirical battle for justice.
0.0A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.
0.0Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.
0.0Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.
5.8A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
6.7A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.
0.0This sponsored film from Chicago’s Goldsholl Design & Film Associates captures the lively world of pre-1960s advertising through animation and collage techniques. As a filmic treatise on corporate identity, Faces and Fortunes explores the legacy and importance of “personality” achieved through the branding practices of industries, organizations and companies. The film was sponsored by the Kimberly-Clark Corporation, produced & directed by Morton Goldsholl, conceived by Millie Goldsholl and executed by Wayne Boyer, Larry Janiak and Millie.