Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
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Suppressed memories reach a boiling point. An animated tale of longing.
Experimental animation film, with a visual focus on geometrical shapes and straight lines
A lucid dream turned nightmarish reality. A ship sinking into a world of fear. A short film that’s mostly puppetry by one of America's most prolific twentieth century artists.
Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.
"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Popeye and Shorty help Olive move. Unfortunately, they start by running into a police car, and keep running afoul of the officer.
When Stan, Kyle, Cartman and Kenny sneak into an R-rated movie featuring Canadians Terrance and Philip, they are pronounced 'corrupted', and their parents pressure the United States to wage war against Canada.
The film starts with two dogs living on their own. Abandoned by their father, the brother and sister rely only on each other. One morning they're found out by a wolf who, instead of attacking them, offers to take the duo back to his pack. There, the siblings are initiated into the pack with one catch: They're transformed into wolves.
A fiddler's hand creates its own choreography is music is performed. This film is an attempt to share the dance. In the tradition and spirit of a Norman McLaren short, a light attached to a fiddle bow traces a dancing dot of light in darkness. The music was composed and is performed by Gordon Stobbe on fiddle and accompanied by Bill Doucette on guitar.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.
A hilarious collection of animated television commercials that were rejected because of their creator's failing grip on sanity.
Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.
An outrageous, affectionate look at coming of age in the Eisenhower era in Brooklyn.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.