African American Express

ASTRAKAN(pt)

Spheres(en)

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Full Moon(en)

Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.

LAND(en)

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

No. 11: Mirror Animations(en)

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

A Paw Over Dark(en)

A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.

Don't You Wish You Were Here?(en)

The very first film in which Maya Yonesho tried to show her thoughts. Even just circles may be able to show emotions as a person in animation. The main circle (character) is slightly pinker than the other grey circles (people) and she thought she was very special. But she is very grey in a colourful world. She will find out that grey is not just a boring colour.

Study No. 8(de)

An experimental short from Oskar Fischinger

A Visual Poem(xx)

Surreal environments take center stage in this visual odyssey.

Deter & Oro(es)

Moon|Rabbit(en)

A meditation on the Moon as a series of spheres melting away. The audio-visuals are synchronized via a repeated glitch process: the same values that databent the visuals are also used to change the base audio samples, creating a translation between a visual glitch and an audible one, even though in the final presentation they seem entirely different.

Psychedelic Heimbold(en)

A surrealist animation of the Sarah Lawrence College art building.

Corner(pt)

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

.wszechświat(pl)

Faroeste(pt)

Short film made using cardboard cutouts of a classic Western scene

Love(tr)

A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.

Laguna Plena(es)

In a setting of natural plenitude, a mystical figure, embodiment of the feminine origin, encounters a wild horse with which she embarks on an ancestral journey of union with nature. An ode to purity, to harmony with the natural, to the pursuit of unbridled freedom, celebrating love in its most natural and raw form.

Rain Shadow(en)

A drug artist designs a new piece that is triggered by exposure to audio visual static.

Series 4(en)

This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.

Skeletons in the Closet(en)

Stop-motion experiments using B&W 16mm film. Shot using a Bolex, transferred to video, DVD, mp4. No soundtrack.