La Sauceda, de la utopía al horror(2013)

Experiment Stuka(es)

Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.

Songs for After a War(es)

A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Civil War, through popular culture: songs, newspapers and magazines, movies and newsreels.

Aidez l'Espagne(ca)

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Mum's Idea(es)

Three elders return to their homeland seventy years after being forced to leave it because of the Spanish Civil War.

Contracampos(es)

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

Agente Sicre, el amigo americano(es)

Carceller, the Man Who Died Twice(es)

The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.

Marcos y Vida(es)

Living Memory(es)

The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez

Agustina González. La zapatera que miraba a las estrellas(es)

O resplandor das Atochas(gl)

The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.

La segona pàtria(ca)

The victory of the fascist army in the Spanish civil war caused a mass exodus of republicans who had to take refuge wherever they could. Mexico, led by its president, Lázaro Cárdenas, was the only country that openly supported the republican cause and opened its doors to thousands of Catalans who found their second homeland in that land. This documentary aims to be a tribute to all the exiles and the people who welcomed them. "Mexico, you have opened your doors and your hands to the wanderer, the wounded, the exiled, the hero..." Pablo Neruda.

¡Hasta pronto, hermanos! Las Brigadas Internacionales en La Desbandá(es)

Documentary about the participation of the International Brigades in February 1937 in containing the advance of the rebel troops after the fall of Malaga.

La batalla de Guadalajara(es)

Documentary about the battle of Guadalajara which took place in March 1937 during the Spanish Civil War and was the last major victory of the Republican Army.

La maleta de Penón(es)

Documentary about the last days, death and subsequent search for the remains of Federico García Lorca.

La vida a través de Vega(es)

The Asturian Valentín Vega is considered one of the most relevant photographers of the last century. He knew how to portray all the essential elements of daily life like no one else and at the same time exercise a devastating display of social criticism. After spending three years in prison for his political affiliation and managing to establish himself as a street photographer, he would continue to offer an unusual image of reality and daily life from the 1940s onwards.

Milicianes(ca)

Nanas sin Pan. Guímara: la represión colectiva de un pueblo(en)

The military uprising of 1936 tried to eradicate all traces of the social transformation that had brought the Republic. There were villages like Guímara, in the Valley of Fornela (León), whose almost unanimous support to the Republic supposed a hard and systematic repression. This isolated village, of about 85 neighbors, suffered one of the most painful forms of punishment: deportation of adults to concentration camps, separating them from their minor children. In this documentary it is told the chronicle of this terrible repression that sought to subdue and subjugate the population through fear, trying to destroy family ties, solidarity networks between the people and personal and collective subsistence economy. The memory of lullabies from their mothers was the echo that reached their children from the forced exile who lived their elders.

Fuentes de la memoria(es)

t narrates the repression suffered by the local population of Fuentes de Andalucía after the military coup of 1936.

Huérfanos del olvido(es)

Between 1937 and 1938, during the Spanish Civil War, thousands of minors were evacuated by their own families from the Republican zone to the Soviet Union to prevent them from perishing in the indiscriminate bombings that the rebel army directed against the civilian population. Taking advantage of the 80th anniversary of this epic, a team went to Russia to record the testimonies of some of those “childrens of war.”