Agustina González. La zapatera que miraba a las estrellas

Songs for After a War(es)

A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Civil War, through popular culture: songs, newspapers and magazines, movies and newsreels.

Aidez l'Espagne(ca)

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Barcelona Works for the Front(es)

A propaganda documentary about the Comité Central de Abastos. This committee provided food and support for the Republican forces in the Spanish Civil War.

Dolores guapa!(es)

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Mum's Idea(es)

Three elders return to their homeland seventy years after being forced to leave it because of the Spanish Civil War.

Carceller, the Man Who Died Twice(es)

The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.

R31(es)

O resplandor das Atochas(gl)

The memory of a defeat, a barbarism: the destruction at the dawn of the civil war of people who fought for freedom, a group of anarchists from A Coruña located in the Atochas area. Through valuable witnesses and historical images a reconstruction of a metaphorical episode in the history of the country. This projection is made in collaboration with its author and the Commission for the Recovery of Historical Memory.

Agente Sicre, el amigo americano(es)

Caudillo(en)

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

Milicianes(ca)

¡Hasta pronto, hermanos! Las Brigadas Internacionales en La Desbandá(es)

Documentary about the participation of the International Brigades in February 1937 in containing the advance of the rebel troops after the fall of Malaga.

La batalla de Guadalajara(es)

Documentary about the battle of Guadalajara which took place in March 1937 during the Spanish Civil War and was the last major victory of the Republican Army.

La maleta de Penón(es)

Documentary about the last days, death and subsequent search for the remains of Federico García Lorca.

La Sauceda, de la utopía al horror(es)

Documentary filmed between September 2012 and March 2013. It tells the story of a valley in the mountains that extends through the north of the provinces of Cádiz and Málaga, the last Republican bastion in the area when Franco's troops already occupied all of them. the nearby regions. La Sauceda was bombed and the town destroyed forever by the air force and four columns of Franco's army. The survivors were locked up in the Marrufo farmhouse, in the municipality of Jerez de la Frontera, where five or six people were shot every day. With the testimonies of the interviewees, everything that happened in those months from the summer of 1936 to the winter of 1937 is reconstructed and the work carried out by the Forum and the Association since 2011 to locate the mass graves is also narrated, in which in the summer of In 2012, the bodies of 28 people were exhumed.

La vida a través de Vega(es)

The Asturian Valentín Vega is considered one of the most relevant photographers of the last century. He knew how to portray all the essential elements of daily life like no one else and at the same time exercise a devastating display of social criticism. After spending three years in prison for his political affiliation and managing to establish himself as a street photographer, he would continue to offer an unusual image of reality and daily life from the 1940s onwards.

Contracampos(es)

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

Living the Utopia(es)

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

Marcos y Vida(es)

Experiment Stuka(es)

Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.