In 1971, Bahrain, Qatar and the UAE ceased to be part of Britain’s empire in the Middle East and became fully independent states. BBC News Persia and BBC Arabic collaborate in this gripping film, to uncover the secrets and shady deals that underpinned the decolonization process. From eye-witness accounts of a British-organised coup to Iran being left in control of disputed islands, it's a fascinating insight to a murky history.
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In 1971, Bahrain, Qatar and the UAE ceased to be part of Britain’s empire in the Middle East and became fully independent states. BBC News Persia and BBC Arabic collaborate in this gripping film, to uncover the secrets and shady deals that underpinned the decolonization process. From eye-witness accounts of a British-organised coup to Iran being left in control of disputed islands, it's a fascinating insight to a murky history.
2022-09-06
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How Britain Left the Middle East
The history of Europeans in North America, from the arrival of Columbus in 1492 to the business success of German immigrants such as Heinz, Strauss or Friedrich Trumpf, Donald Trump's grandfather. During the 19th century, thirty million people — Germans, Irish, Scots, Russians, Hungarians, Italians and many others — left the old continent, fleeing poverty, racism or political repression, hoping to make a fortune and realize the American dream.
A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime
This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
The year of 1988 in Estonia was exceptional - it came as a surprise for everyone that all of a sudden national symbols were allowed; expressions of no confidence were addressed towards the leaders of Communist Party and Estonian government; the Popular Front of Estonia and Estonian Green Movement but also the Intermovement (the Workers International Movement of the Estonian Soviet Socialist Republic) were founded. Estonian Heritage Society restored the monuments of the War of independence; the facts about war crimes during the Stalinist regime were disclosed and - imagine that! - the representatives of Estonian Republic went against the central authorities in Moscow. Events in Estonia draw international attention. Is all this possible in a totalitarian state? This documentary chronicle gives a plausibe interpretation of the events that took place in Estonia in 1988, of the changes in people's lives and the awakening after a 48-year-long period of darkness.
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Guy Debord's analysis of a consumer society.
From the inner workings of the RAF. Former RAF-member Peter-Jürgen Boock reveal the many secrets and myths about the Baader-Meinhof gang a.k.a. RAF - Rote Armee Fraktion.
M2M's first original long-form documentary, Battle at Versailles, follows an event in 1973 at Palace of Versailles where top French designers such as Yves Saint Laurent and Pierre Cardin faced of against American newcomers Oscar de la Renta, Bill Blass, Anne Klein and Halston. That pitted France’s best designers against the best America had to offer. It was the first time the fashion world's gaze was fixated on American design.
From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.
Made in 1940 and sponsored by the Ministry of Information this film shows the food contributions supplied to Britain by various colonies and dominions. 'Food from the Empire highlights the severity of the food issue, by discussing food production as a battle (...) and offers insights into British attitudes towards its colonies and dominions. The commentary notes that the ‘free people’ of these countries are ‘anxious to send every ounce they can to the United Kingdom for they know that upon the ability of Great Britain to hold out depends their own freedom’. Britain is depicted as a dominant power, fighting to protect those within the Empire, while the colonies are loyal and ‘anxious’ to help.' - Tom Rice, on the film from colonialfilm.org.
A retrospective on the great election battles of the past in the United States: the Kennedy-Nixon debate in 1960, the first ever to be televised; the Republican campaign of 1972, which proved to be the starting point for the Watergate scandal; and the electoral strategy of Barack Obama in 2008, the first election to fully exploit the potential of the Internet.
A film by Lee Rhoads uses unique archival photographs and footage of Los Angeles's love affair with automobiles. In the opening scene, a classic glimpse of Los Angeles and its car owners circa the 1970s is offered, and it deftly relates the transit history of the Los Angeles basin, beginning in the late 1800s.
This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.
For decades, a nice Jewish couple ran Circus of Books, a porn shop and epicenter for gay LA. Their director daughter documents their life and times.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.