Short film about safe driving
Short film about safe driving
1976-01-01
0
Short ethnographic documentray about Arba'een, a Shia Muslim religious observance
"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.
Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.
Argentina, 1960: a true crime story of how secret agent Zvi Aharoni hunts down one of the highest-ranking Nazi war criminals on the run.
The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.
A confrontation and comparison of two church buildings, which could hardly be more different, but also a dialogue between various concepts of church and community: the Protestant Grundtvig’s Church in Copenhagen and the Catholic Cathedral in Orvieto.
This film claims that the Germanic tribes predated the knowledge of the ancient Egyptian pharaohs, then compares these findings with the contemporary German regime of Adolf Hitler.
Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.
A sweeping overview of humanity’s accomplishments in space, as well as our ongoing activities and future plans.
Humpback Whales takes audiences to Alaska, Hawaii and the Kingdom of Tonga for a close-up look at how these whales communicate, sing, feed, play and take care of their young. Humpbacks were nearly driven to extinction 50 years ago, but today are making a steady recovery. Join a team of researchers as they explore what makes humpbacks the most acrobatic of all whales, why only the males sing, and why these intelligent 50-foot, 48-ton animals migrate more than 6,000 miles round-trip every year.
A short, impressionistic documentary about the extremely precise process behind the creation of an autoclave (a reaction container) for a nuclear power plant. Otherworldly electroacoustic soundtrack by Oskar Sala.
This 13-minute short subject, marketed as an educational film, records a slice of life in the Watts neighborhood of Los Angeles prior to the rebellions of 1965. Filmmakers Trevor Greenwood, Robert Dickson and Alan Gorg were UCLA film students when they crafted a documentary from the perspective of the unassuming-yet-articulate teenager Felicia Bragg, a high-school student of African-American and Hispanic descent. Felicia’s first-person narrative reflects her hopes and frustrations as she annotates footage of her family, school and neighborhood, creating a time capsule that’s both historically and culturally significant. Its provenance as an educational film continues today as university courses use "Felicia" to teach documentary filmmaking techniques and cite it as an example of how non-traditional sources, as well as mainstream television news, reflect and influence public opinion.
In this film House Of Xmas produced by BRAVÒ NYC, directed by Aurélien Heilbronn and envisioned by Dazed we hit the streets of NYC with the city’s ball culture babes for an intimate insight into how they celebrate this time of year with the close friends that they consider family.
Edward R. Murrow narrates Humphrey Jennings' short documentary about life in England during wartime.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Short documentary about Twin Peaks: The Return.
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.
Badger Creek is a portrait of Native resilience as seen through a year in the life of three generations of a Blackfeet family living on the rez in Montana. The Mombergs are a loving, sober family who run a successful ranch, live a traditional worldview and are re-learning their language.
The documentary tells the story of one day in Smara, a refugee camp in the south of Algeria. A handmade symbolic toke takes us through the lives of six characters and the reality of the situation in Sahara: The past, present and future of a population without land who want that their words will be heard by the world.