Artetrans(2020)

I Have To Say I Love You(pt)

A documentary about resilience and the fight against suicide among trans people, the film portrays the characters’ relationships with their bodies, life and all that is sacred. It dives into the hearts of Aretha, Yago, Deniell and Ariel in an attempt to promote inner healing.

Queens Don’t Cry(de)

Bosom buddies BeV StroganoV, Ovo Maltine, Ichgola Androgyn and Tima die Göttliche are four Berlin drag queens who met in the mid 1980s. These four queens became Germany’s most popular drag performers and have been busy fertilizing the German cultural scene. Besides being performers, they are also political activists – in AIDS awareness, anti-gay violence, the sex workers movement and the struggle against the extreme right and racism. The film tells their story.

Kenya(es)

Trans women face extreme violence in Mexico City, and sex workers are even more vulnerable. This raw and deeply affecting portrait of Kenya gives an insider’s view of the impact that violence has on the community, and how complex life is for them. The film begins shortly after Kenya witnesses her friend Paola being murdered by a client. The film follows Kenya closely. Will the family accept burying Paola as she was: a flamboyant trans woman? Kenya approaches Paola’s loved ones with great respect and understanding—something she rarely experiences herself. When the murderer is released, she embarks on a lengthy battle for justice, backed up by her “sisters.”

Cradle of Genius(en)

Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short

Call it the burning(fr)

One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.

Mulheres de Barba Rija(pt)

Dolores guapa!(es)

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Victoria(es)

In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.

La fuga(es)

The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.

Julia(de)

Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.

Agatha Christie contre Hercule Poirot : Qui a tué Roger Ackroyd ?(fr)

Tie and Red Nail(pt)

Several characters realize their personal way to build their own identity from the choice of genre. Transsexual, transgender, crossdressing – the defining of terminologies different ways of looking at yourself are constantly rising, portraying a universe of possibilities, expanding the boundaries of the possible and permitted.

Frankenstein: A Modern Myth(en)

From Boris Karloff to Mel Brooks - Frankenstein has fired the imagination of generations of artists who have created their own interpretation of this Gothic masterpiece. Frankenstein: A Modern Myth looks at some of these depictions, including Danny Boyle's sell-out hit at the National Theatre. The film has exclusive access to rehearsals and interviews with Benedict Cumberbatch and Jonny Lee Miller - who alternate the roles of Victor Frankenstein and the Creature - and with Danny Boyle. It also features cult film director John Waters: "I'm sympathetic to monsters, and this was the first one I came across as a child".

Beyond the Straight and Narrow(en)

How did the rise of LGBTQ visibility, political progress, and digital technologies in the 2000s come together to offer the abundance of complex queer and transgender representations we see today? Media scholar Katherine Sender shows how LGBTQ visibility and political progress have combined with new digital media technologies and television platforms to produce an increasingly complex range of queer and transgender representations.

Dylan Mulvaney's Day 365 Live!(en)

Dylan Mulvaney celebrates a entire year of girlhood performing several songs and playing some of her old tiktoks in a Live stream full of celebrity surprises.

Orlando, My Political Biography(fr)

Virginia Woolf's 1928 novel "Orlando: A Biography" follows the centuries-spanning life of a young nobleman who awakens to find that they a woman. Almost a century after its publication, Paul B. Preciado claims that fiction has become reality and Orlando's story lies at the root of all contemporary trans and non-binary life.

Into My Name(it)

Nic, Leo, Andrea and Raff determine their own gender identities. Each of their gender biographies is different, but the societal barriers to their social, physical and legal changes are the same. Together they are strong.

Transito(es)

Aunt Iki(nl)

Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the public eye and was always surrounded by a crowd of admirers. With this short documentary, filmmaker Wytse Koetse shows how his aunt spends her days nowadays, lonely in her Amsterdam home.

A Long Way From Heaven: The Rainbow Y Story(en)

The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.