2023-06-08
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An old gardener goes out to dig up dirt on a Holy Thursday morning. During his excavation, he discovers the remains of his son who disappeared three weeks ago, taking them home with him. Meanwhile, the murderer, the young owner of a hotel with a swimming pool, serves his clients without any apparent concern. In a town without water and that lives off tourism, this is an open secret that the citizens and the authorities are willing to keep quiet. During the following days of Holy Week, the gardener and the hotel owner will be pushed by guilt and revenge until they come face to face.
Diego is a fan of Santiago Wanderers who has made a fundamental refuge for his life out of the club he loves. Through the popular soccer lessons he learned from his father along with his memories, loves, and conflicts, Diego reflects on how this sport has been contaminated by disrespect, machismo, and lies, but he can't find a way to do something about it until a particular situation drives him crazy.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In Columbus' Cursed Colony join two scientific expeditions on a journey that takes you beneath the waters of La Isabela Bay in Dominican Republic to search for the lost fleet of Christopher Columbus.
This is the story of one of the most well known but perhaps least understood moments of conflict and controversy in the history of sport: the infamous Bodyline test cricket series of 1932 and 1933. Self-confessed cricket tragic and comedian Adam Zwar will try to discover what happened at the crease and chart the wider social and cultural implications of the controversy by enlisting historians, sports scientists, and cricket stars to simulate the actual events. Is there more to the legend of Bodyline than we think? Adam is going back in time to live out a childhood fantasy or two. He is going to use machines, fancy cameras, and the latest in computer graphics. Modern day players will help him prepare. Adam will witness the real damage a high speed cricket ball can do. In the end, Adam will be on his own - with no helmet, no modern padding, and just a bat for protection. How will he handle this ultimate test?
The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo
In 2009 a team of British cavers went on an expedition deep within the jungle of central Vietnam. To their amazement they discovered an enormous cave which they believe to be the biggest in the world. The team, the first humans ever to enter the cave, traveled 6 kilometers underground until their way was blocked by a gigantic rock face they dubbed 'The Great Wall of Vietnam'. Now they have returned, but this time with the right equipment to climb the wall and with a geologist and zoologist to discover if this is indeed the Biggest Cave in the World and what secrets lie deep within?
During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.
הסרט מתמקד במספר בעלי חיים: זוג חתולי ביצות באזור הכנרת, זוג זאבים ברמת הגולן ועדר יעלים במדבר יהודה. הוא עוקב אחריהם במשך שנה (אף שבפועל צולם הסרט במשך מספר שנים), החל מתקופת הייחום וההזדווגות בסתיו ובחורף, דרך היוולדם של הצאצאים באביב, ועד ליציאתם לדרך חדשה בסוף הקיץ. במקביל, נראים גם בעלי חיים אחרים החיים בארץ ישראל או פוקדים אותה, ובהם טורפים, מכרסמים, עופות, זוחלים וחרקים.
Documentary detailing the extensive number of shots long lost from constant film re-cutting of 1925's great silent cinema classic Battleship Potemkin in the last 80 years, and how many of those shots have been returned.
A behind the scenes snapshot of the making of one of the greatest films ever made. Filled with trivia, interviews from cast and crew, and more.
A controversial still photographer specializing in grim death portraits translates his morbid sensibilities to the moving picture to offer an affecting look at death from an entirely unique perspective. Tsurisaki Kiyotaka specializes in the kind of photography that most folks would shrink away from. Over the course of his career, Kiyotaka has photographed more than 1000 deaths, a focus that often finds him facing legal problems in his home country of Japan. In this collection of short films, the photographer shifts his focus to the subject of war to offer a startling and sobering look at the aftermath of combat. Additional images of starvation, disasters, and tragic accidents highlight the fragility of human life and the grotesqueness of death's many forms.
Turbonegro, an unapologetic punk band that plays with homoerotic and otherwise provocative symbolism, gave the world the middle finger in their early days and started their own fan club during one drug-fuelled night in '95 as a joke. What the f*ck? Unpredictable and absurd band quickly earned the respect of even the most notorious black metal bands in Norway. Everyone knows about Kiss Army, but what is the mythical fleet unleashed by Turbonegro, provocatively known as Turbojugend, that has grown into a worldwide phenomenon? At the heart of Turbonegro fandom is love and brotherhood, regardless of age, colour or gender. The Turbojugend really know how to have fun and the highlight of the year is the Weltturbojugendtage event held at the Reeperbahn, where Turbonegro members themselves often join in the celebrations.
July 2017, liberated Mosul lies in ruins. Ghadeer, a young journalist who took refuge in Brussels after the Islamic State took the city, decides to abandon the promise of a future in Europe to return to his people. With a few friends, he founded Radio One FM, a station independent of any religious, community or political affiliation, which could help restore peace. The first two years were those of utopia for this volunteer team: thanks to journalistic work documenting the country's difficulties, Radio One gained a national audience. But economic difficulties and the growing pressure of militias linked to the political clans fighting for control of Iraq finally got the better of the enterprise.