Moment of Impact: Stories of the Pulitzer Prize Photographs, hosted by Sam Waterston, tells the compelling stories behind some of the world's most memorable photographs. Returning to the scene of the action, each photographer describes, in a gripping first-hand account, how they took their prize-winning photographs. The moments they captured forged history and changed lives - including the photographers own. The stories of these unforgettable photographs' own. The stories of these unforgettable photographs - many of them shown here for the first time - are as compelling and long lasting as the images themselves.
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Witness cycling’s top photographers in action at the world’s most beautiful bike race, as we go behind the lens with Ashley and Jered Gruber, Luca Bettini, and Zac Williams at the 2023 Giro d’Italia. Filmed during the race’s three epic final stages, learn how the photographers chase the action, doing their best to capture the pain and glory of the riders, and document the beauty of the mountains and towns across Italy. This is a thrill-a-minute, front row seat to the stunning finale of a race that will live long in the memory – and in the photographers’ beautiful imagery.
The pro-life movement has been around as long as Roe V Wade, who are they, what do they do? Are they effective? This documentary goes into the deep underpinnings of major national lobbyist groups to find out why after 46 years Babies Are Still Murdered Here?
Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.
When filmmaker and investigative journalist Frances Causey, a daughter of the South, set out to explore the continuing racial divisions in the US, what she discovered was that the politics of slavery didn't end with the Civil War. In an astonishingly candid look at the United States' original sin, The Long Shadow traces slavery's history from America's founding up through its insidious ties to racism today.
Earl Kenneth Kaufmann is the Scary Guy. Banned and kicked out here and there. Because of his looks. A motivation trainer and speaker who campaigns worldwide to eliminate hate, violence, prejudice, and bullying in schools and corporations. In addition to being a tattoo shop owner, comic, entertainer, inspirational speaker, and performance artist.
AND SO I STAYED is an award-winning documentary about survivors of abuse fighting for their lives and spending years behind bars. These women paid a steep price with long prison sentences, lost time with loved ones, and painful memories. Formerly incarcerated survivor-advocate Kim Dadou Brown, who met her wife while incarcerated, is a driving force in the passage of New York’s Domestic Violence Survivors Justice Act (DVSJA), a new law meant to prevent survivors from receiving harsh prison sentences for their acts of survival. Nikki Addimando, a mother of two young children, suffered the consequences when a judge didn’t follow the law’s guidelines. Tanisha Davis, a single mother who was ripped away from her son in 2013, is hopeful the new law is her way out of a harsh prison sentence.
Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.
A famed criminologist reexamines the evidence in this powerful interview with murderer Bert Spencer, suspected in the killing a paperboy in 1978.
A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.
Cicada is the immersive story of a five-year-old child who witnessed a murder. Daniel P Jones confronts a traumatic memory in an incendiary, visceral monologue.
James Roddie is a caver, climber and a professional photographer. He’s also a 30-year-old man with an eating disorder. After the death of his father, James deals with it the best way he knows how – heading underground with his camera. Delving into his story, James candidly explores why caving, adventure, and mental health are so intricately tied together.
"Rasist, Javisst?" is a Swedish documentary film from 1993 about the conflict between young Swedish nationalists and immigrant teenagers growing up in the suburbs of Stockholm. The film was shot during the whole of 1992 and culminated in the riots on the 30th of November 1993, after which date the authorities prohibited the nationalist demonstration in the centre of Stockhom.
Gerti Gerbert was photographed by her husband Eugen over a period spanning more than forty years. Besides the obligatory family photographs, from their wedding day until his death Eugen took countless pictures of Gerti: in her underwear, in homemade summer frocks, or completely naked; on the beach, in the woods, in the car, or on the floor at home. Using the Gerberts’ picture archive, interviews with Gerti, and Eugen’s notes, the film looks at what remains of life and love at the end.
'Black girls don't play with black dolls', says the lyrics of Preta Rara's rap, one of the characters in It Looks Like Me. The documentary explores the lack of black dolls in the Brazilian market and shows the work of the artisans who try to change this scenario facing the gigantic toy industry with their handmade dolls.
A man at the cutting edge of fashion, photojournalism and portraiture, photographer to the stars Douglas Kirkland has portrayed over sixty years of pop culture. This fascinating feature takes a closer look into the career of one of the most important photographers of the last century. His subjects, who are some of the biggest stars of Hollywood and the fashion world, provide testimonials.
An experimental film about narrations of two journal photos from Iran's revolution in 1979.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.
In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both physical and ethical, to show with sincerity, crudeness and open-mindedness the reality of the atrocities perpetrated against the inhabitants of the Belgian colonies in Africa, still haunted and traumatized by the ghost of King Leopold II of Belgium, a racist and genocidal tyrant.