Join us for a screening of Reza Abdoh’s extraordinary, site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure. One of the goals of En Garde Arts’s site-specific journeys through New York’s Meatpacking District was to use the local architecture as a theatrical set while at the same time evoking and playing with the history of the place. The half-deserted cobblestone streets south of Chelsea enhanced the play’s nineteenth-century references. The neighborhood’s past as both a meatpacking and transportation hub via the High Line trains as well as a former center for after-hours sex clubs merge as perfect background for Reza’s spectacular tableaus of gluttony and lust.
After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.
The story of a young playwright and his tumultuous affair with his director's wife.
When the opening night of a new play goes horribly awry, the actors are forced to frantically improvise the plot onstage. Clashing egos, tested friendships and a series of disastrous misunderstandings combine to create the most offensive, shocking and accidental piece of theater ever to debut in front of a live audience.
A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.
A maelström of shouts, slaps, small dances, kabuki love scenes, tribal singings. They shift from loneliness to togetherness, sensation to dance soli, grotesque to subtle movements, from burning to shining, from shedding to getting rebirth. Gerro, Minos and Him has been created in Het Veem Theater in January 2012 after two residencies, in the Musée de la Danse de Rennes and in Dansbyran in Gothenburg. The première took place in Something Raw Festival on February 14th 2012 in Amsterdam (NL).
This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.
After passing out, Louise, playing Dorothy in her senior production of The Wizard of Oz, must fight to go on-stage while navigating the selfish interests of her co-stars in this fantastical ode to musical theater.
Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.
An original, semi-modernized musical adaptation of Shakespeare's classic romance.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.
Lillian Hall, a Broadway actress, has never missed a performance throughout her long, illustrious career. Yet in the rehearsals her confidence is challenged. People and events conspire to take away her ability to do what she loves most.
Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.
Psychiatrists move in with bickering stage spouses and start bickering too.
Ivan wakes up tied to a table. He works fixing little things in houses. Marta, one of his last clients had kidnapped him. He has to do right the chores he did wrong in her house. For every mistake she will break him a finger and if he confess she will forgive his live. But is there anything to confess?
After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.
When his best friend pushes him to try out for the local musical, Charlie decides to take his shot, but things start to get messy when his drug lord dad intervenes.