

This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.
1979-01-01
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0.0Gurdeep is a thirteen-year-old Canadian Sikh whose family runs a dairy farm near Chilliwack, British Columbia. They have retained their language and religion. Attendance at the Sikh temple, playing soccer with his schoolmates, and working on the farm are all part of Gurdeep's well-integrated life, but sometimes he feels a little different from the other children because he wears a turban. This film is part of the Children of Canada series.
The injustice of the Japanese internment is explored through the story of Kyuichi Nomoto, one of the first Japanese Canadians to graduate from UBC, who suffered a breakdown deep in the BC Interior.
0.0In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors. This film documents the cultural significance of these events for today's Kwakiut'l people. It is an eloquent testimony to the persistence and complexity of Kwakiut'l society and to the struggle for redefining cultural identity for them.
8.0A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.
0.0This short documentary introduces us to a town where no one pays rent: Simoom Sound in central British Columbia, where loggers live on sturdy river craft. Every week there are visitors: the general storekeeper, the flying postman and most importantly, the forest ranger, who is ever alert to the threat of fire.
6.9Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.
0.0This film takes us into the harsh realm of BC's early coal mines, canneries, and lumber camps; where primitve conditions and speed-ups often cost lives. Then, the film moves through the unemployed' struggles of the '30s, post WWII equity campaigns, and into more recent public sector strikes over union rights.
8.3In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.
5.7A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.
0.0When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.
10.0The meaty saga of Burger Baron, a rogue fast-food chain with mysterious origins and a cult following, run by a loose network of fiercely independent Arab Canadian immigrants.
0.0This film joins five of the world's leading whale researchers on a scientific expedition around Canada's Vancouver Island. Spectacular photography and sound recording, both above and under water, provide an imtimate look at killer, gray, and humpback whales, and the world they inhabit. Island of Whales examines the communication, habitat, food supply and behaviour of whales. What emerges is a picture of creatures more sophisticated and complex than ever before imagined. At the end of the film, we are left with one compelling question: Can these magnificent creatures survive in the face of declining food supplies and pollution?
10.0The wolf of British Columbia is on a quest to master water, fishing and swimming. According to several specialists, the wolf is at the first stage of a process that could turn it into a marine mammal. How will its evolution unfold?
0.0On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
0.0This 1950s' film looks at the measures to preserve water flow from the Rocky Mountains. With the steady falling of the water table, the exploitation of timber stands and the recession of glaciers, water conservation was an urgent concern of the Alberta and federal governments.
0.0This short dramatic film illustrates a cooperative program of fire protection that was carried out across Alberta in the late 1950s. It presents the problems inherent in a voluntary fire brigade, as well as the everyday heroes who step up and get the job done. The film is an entertaining look at how a crew that was once considered to be the joke of the town can evolve into the best fire brigade in the West.
7.7Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.
0.0For Indigenous peoples the totem pole is the symbol of life, portraying the relationship between humans and animals. Fitting into the landscape of British Columbia, these monuments, witnesses to an ancient and powerful culture, look down at us. The group "Indians of British Columbia" singing group provide a powerful soundtrack as Haida and Tsimshian people talk about poles in their communities.