Les six saisons des attikameks(1983)

Lady Warrior(en)

This documentary follows a Cree woman as she takes on the Indian Relay race season, as well as the Canadian authorities in her quest to give Missing and Murdered Indigenous Women a voice.

Neiwa(es)

Guachimontones, los límites del hombre y la naturaleza.(es)

Adalil - Die Herrin der Zelte(de)

The film shows the life of women in a tent camp on the edge of the Sahara. An old nomad woman and her daughter from the city argue about happiness - where do you find happiness, in the desert or city. Women and men in open dispute about love, suffering and passion. In an amazing way, something of the self-confidence, independence and courage of these daughters of the sand becomes palpable.

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

O Último Kuarup Branco(pt)

The creation of the Xingu Indigenous Park is reassessed by indigenous peoples and anthropologists. Almost 50 years after the initiative, which had the decisive participation of the indigenist brothers Cláudio and Orlando Villas-Bôas, the older indigenous people still have not forgotten the original lands they left behind. Some want to go back to their old origins.

Four Corners: Saving the Amazon(en)

The Amazon plays a vital part in regulating the planet's temperature. Yet, last year, forest destruction in the Brazilian Amazon soared by 85 per cent. Illegal logging and slash-and-burn agriculture are decimating the land. With huge profits to be made, the Amazon is a dangerous place to ask questions. Despite the threat, the Amazonian tribes want the world to hear their message.

El final del día(es)

The film takes place on December 21, 2012, while the people of the town of Quillagua await the supposed "end of the world" that the Mayans predicted for that day.

Spirit of the Reindeer(sv)

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

When the Mountains Tremble(es)

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

MONTAÑAS(es)

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

The Living Stone(en)

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

The Invention of the Other(pt)

In 2019, the Brazilian government coordinates the largest and riskiest expedition of the last decades into the Amazon rainforest to search for a group of isolated indigenous people in vulnerability and promote their first contact with non-indigenous. Bruno Pereira, who would later be murdered in the same region and turned into an international symbol in favor of the indigenous and the forest, leads the expedition.

Acoustic Ocean(en)

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

Angry Inuk(en)

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Ikátena(pt)

Dawnland(en)

They were forced to assimilate into white society: children ripped away from their families, depriving them of their culture and erasing their identities. Can reconciliation help heal the scars from childhoods lost? "Dawnland" is the untold story of Indigenous child removal in the US through the nation's first-ever government-endorsed truth and reconciliation commission, which investigated the devastating impact of Maine’s child welfare practices on the Wabanaki people.

Our Land, Our Truth(fr)

Made in collaboration with the Inuit Tungavingat Nunamini, this film focuses on those dissident members of the Inuit community who rejected the agreement signed on November 11, 1975, between the Northern Quebec Inuit Association, the Québec and federal governments, the James Bay Energy Corporation, the James Bay Development Corporation, Hydro-Québec and the Grand Council of the Crees, which took away Native rights to a territory of almost one million square kilometres. By their words and actions, the dissident Inuit of Povungnituk, Ivujivik and Sugluk express their strong desire to retain their land and their traditions. The filmmakers go into their homes, on the ice and the sea to record first-hand the lives of these northern people.

Elementa(en)

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

Os Arara(pt)

Documentation of the preparations and expeditions of the Frente de Atração Arara da Funai, in the state of Pará, Brazil. With the construction of the Transamazônica, the Arara territory (without contact with the white man) is cut in half, and the Indians react by attacking the workers. Aware that all contact is a creation of dependency, the sertanista Sydney Possuelo, who also reflexively narrates the documentary, leads the expeditions that aim to identify the groups, how many individuals there are, establishing territorial limits to protect the area against invaders and loggers in the region.