An Egyptian Princess is infatuated with Karmet, a Syrian prince who is disguised as a merchant. He, however, loves Arvia, a dancer. The Princess plots to sacrifice Arvia to the sacred crocodiles. Arvia is saved by her father and united to Karmet. The princess weds Prince Tut, who afterwards becomes King of Egypt.
Little Girl
An Egyptian Princess is infatuated with Karmet, a Syrian prince who is disguised as a merchant. He, however, loves Arvia, a dancer. The Princess plots to sacrifice Arvia to the sacred crocodiles. Arvia is saved by her father and united to Karmet. The princess weds Prince Tut, who afterwards becomes King of Egypt.
1923-10-28
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Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.
Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.
Adopted by the Kellys from an orphanage, Nancy is reared in dreadful surroundings and mistreated as the household drudge. She accidentally makes the acquaintance of Jack Halliday, son of a wealthy city family who is fishing near her home. When Mrs. Kelly beats Nancy for accepting the attentions of her husband, the girl escapes into the woods and conceals herself in the rear of Jack's car as he drives into the city.
The owner of vast diamond mines, John Quelch is constantly fearful of theft and convinced that any woman will "sell her soul" for diamonds, he deals harshly with any employee caught stealing and has Lady Margot Cork watched while she is visiting Lorraine Temple. John and Margot fall in love, but she cancels their engagement when she learns of the "brutal" punishment of Jim Wingate for swallowing a diamond.
Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.
Wee Lady Betty rules the O'Reilly castle with a stern hand and a big heart until she learns that Roger, the O'Reilly heir, is coming to take possession of his estate. Unable to provide for her aged father, Betty conceives of a scheme. Feigning to leave the castle, she returns after dark with her father and installs him in the haunted chamber.
John Power is a hard-nosed financier who has neglected his domestic life and who tries to ruin the Wray family. But a revelation concerning a Wray family member sends Power into a climactic delirium in which he believes he is being judged by people in his life.
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.
This part-talkie (17 minutes of dialogue in its 83-minute running time) tells the tale of Christina, the daughter of Dutch toymaker Niklaas. Much to her dad's dismay, Christina falls in love with sideshow huckster Jan. Likewise disapproving of the romance is Jan's jealous employer Mme. Bosman, who frames the young man on an embezzlement charge.
The strong bond between two brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.
Wealthy Jack Stimson (Jay Belasco) falls in love with Broadway diva Velma Vrooman (Gretchen Lederer), and for her sake bankrolls the musical production in which she is currently starred. But when Velma proves to be fickle and unreliable, Jack shifts his affections to humble chorus girl Bobbie (Louise Lovely).
Gabrielle Picard (Elda Hall) and Pierre Dupont (Rupert Julian) are lovers in a small French village in the early 1870s; Gabrielle's brother Anatole (Kingsley Benedict) is Pierre's best friend. The two young men are called to service by their country and go to Algiers. Anatole becomes the bugler and one day when he is commanded to sound the retreat, he sounds for the troops to charge instead. Anatole becomes a hero because of his action, but when the two men make their victorious return home, they find the Picard home ransacked and Gabrielle gone.
Olaf writes his memoirs, before his execution. He tells of his life as a struggling farmer when Renie, stranded in the village, stays one night in his home and Olaf falls in love with her.
A father-and-son team of cons gamble their firm’s assets. The son is caught investing money that doesn't belong to him and is indicted on a swindling charge. The plot gets spicy when the District Attorney handling the case is his former sweetheart's husband. This situation gives the DA an opportunity to prosecute his romantic rival.
Nancy Bradshaw (Katherine MacDonald) is a popular stage star who quits her career to marry millionaire clubman Dick Cunningham (Charles Richman). But after a few years of marriage, he starts seeing other women. Figuring that her public was more faithful to her than her husband, Nancy returns to the stage.
A savvy city girl is hired to sugar an earnest farm boy into a business deal, but loses her heart. Spanish language version of the 1930 Nancy Carroll vehicle "The Devil's Holiday".
Caravan of Death (German: Die Todeskarawane) is a 1920 silent German film, it was an adaptation of the latter half of the Karl May novel From Baghdad to Stamboul, and is now considered to be lost. The film featured Bela Lugosi playing an Arab Sheik pitted against European travellers in an adventure story set in the Sahara. It was the second of three films released by Ustad based on desert adventure novels by Karl May. Although Karl May’s widow praised the film, critics were unimpressed and it was a commercial failure.
Lydia Jansen is happily married to a young customs inspector, but she harbors a dark secret. She is addicted to smoking opium or in slang parlance “hop.” To keep her secret, she willingly pays the blackmail her maid extorts from her having learned of Lydia’s habit through her own fiancée who is part of the ring importing the devil’s brew. Something unknown to all is that the operation is run by Lydia’s father an important politician in the city where this all occurs. As her husband’s investigation tightens the noose on the organization Lydia faces a crisis.