A video-dance adaptation of the short story "A Marquesiña" (The Little Marchioness), from the book "Cousas" (Things), by Castelao.
A Marquesiña
A video-dance adaptation of the short story "A Marquesiña" (The Little Marchioness), from the book "Cousas" (Things), by Castelao.
2022-09-22
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A live recording of Carl Orff's world-famous musical masterpiece Carmina Burana, performed by more than 100 singers and dancers of the National Opera and Ballet of Ukraine (Odessa).
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
Brother and sister accidentally find themselves at a modern street ballet performance. They are so fascinated by the plot that, forgetting that they are at a performance, they climb onto the stage and find themselves in a fairyland.
A Yakshagana actor who mainly does female roles is faced with his own sexuality and societies outlook.
(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).
As a patriarchal family yearns for the birth of a son to continue their family line, their youngest son secretly joins an erotic dance theatre and falls for its transgender starlet.
Something has gone wrong for a typical Singaporean family. After a man loses his job and the respect of his wife and teenage son, he tries to reconnect with his family by taking them on a trip to visit a childhood haunt. Now abandoned and falling apart, the place is nothing like he thought it would be—especially not the ghosts of his past lying in wait.
Year 1966 Vimazoluleka is the first play that Levy Rossell staged at the Ateneo de Caracas (Quinta Ramia) starting on August 18, 1966. He moved to the auditorium of the Faculty of Engineering and from there to the Aula Magna. He won a scholarship to study in New York and staged it in English for five months off Broadway. He returned to Caracas and showed it throughout the 70s and 90s. He gave it that title from the first words of the names of his close classmates: Vicente Amengual, María Angelina Rodríguez, Zobeida Ramos, Luis Kolster, Levy Rossell and Carlos Hernandez.
A light grey room. A slender woman of 50 and a 12 year old boy. Joined together like the links of a chain. Changing positions at a constant rate. One flowing movement. Never losing touch with each other. A game played by a mother and her child. A kind of tango. Sound of feet. Breathing. Faint smiles. Until suddenly the woman's hands let go of each other.
Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.
Year 2061. Everyone has left Earth. A figure is sent back to Earth to check on the situation. Are they the same elements, do the history chips work? Slowly, something begins to happen, a ritual to evocative rhythmic music. There is a threat... - it comes from within. Gradually, a trance-like state arises, where the figure meets its dark side.
Jamilah has her whole life figured out. She's the president of her black sorority, captain of their champion step dance crew, is student liaison to the college dean, and her next move is on to Harvard Law School. She's got it all, right? But when the hard-partying white girls from Sigma Beta Beta embarrass the school, Jamilah is ordered to come to the rescue. Her mission is to not only teach the rhythmically-challenged girls how to step dance, but to win the Steptacular, the most competitive of dance competitions. With the SBBs reputations and charter on the line, and Jamilah's dream of attending Harvard in jeopardy, these outcast screw-ups and their unlikely teacher stumble through one hilarious misstep after another. Cultures clash, romance blossoms, and sisterhood prevails as everyone steps out of their comfort zones.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
Two young dancers seek the truth after the mysterious disappearance of their mother.
In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.
Dallas, an American golf tutor, arrives in a quiet Sydney suburb to teach at the local school and sets about causing chaos with the family she stays with.