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Agents of the Shadows
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A Gamer's Life
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Go behind the scenes to uncover the truths of being a professional gamer for a living. Can you really make a living from being a gamer?

Imperfect Journey
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Imperfect Journey(en)

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Haile Gerima and Ryszard Kapuscinski travel around Ethiopia talking to people about their current situations and what needs to be done for a prosperous country.

Images of Women of the Social Corset
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Images of Women of the Social Corset(fr)

2011-01-05

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

Fontelonga
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Fontelonga(pt)

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How I Learned to Love the Numbers
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A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Ingmar Bergman: The Magic Lantern
0%

Ingmar Bergman: The Magic Lantern(en)

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The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.

Icons
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Icons(sk)

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A film about Slovak icons painted in the period of the late 15th to the early 19th centuries, when original Byzantine icon was ending in Slovak folk art.

Keeping a Distance
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Keeping a Distance(sk)

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Nanook of the North
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Nanook of the North(en)

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Olympia Part One: Festival of the Nations
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Olympia Part One: Festival of the Nations(de)

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Olympia Part Two: Festival of Beauty
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Olympia Part Two: Festival of Beauty(de)

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Workers Leaving the Lumière Factory
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Workers Leaving the Lumière Factory(fr)

1895-03-22

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

We're in Business Too!
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We're in Business Too!(en)

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Sets out to persuade businesspeople of the advantages of going from city to city by train. How it gives them time to relax, work or sleep in comfort.

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As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.

No End
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1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.

Amaran
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The Way to the Heart
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Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Barking Dogs Never Bite
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The Hidden
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The Hidden(en)

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When average, law-abiding citizens suddenly turn to a life of hedonistic behavior and violent crime, Detective Tom Beck is tasked with helping young FBI agent Lloyd Gallagher determine the cause.

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The Isle(ko)

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The Bullet Train
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A Japanese bullet train is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers so the train crew can learn how to defuse the bomb.

As
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Three years after the death of her beloved child, Elouise, Mara still feels her presence when she sits on the butterfly bedding in front of the jar with her ashes in it. Mara arranges a twelfth birthday party for Elouise, further alienating her from her husband, Richter, and remaining daughter, Hannah. Although Mara eventually vacates Elouise's room at the insistence of her husband, she does find a way to stay close to Elouise. Before long, however, Hannah discovers her mother's secret.

The Return of the Tall Blond Man with One Black Shoe
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The French Lieutenant's Woman
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Queer
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Q
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Q(en)

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When growing up in a community where gang violence is a way of life and Basketball is a way to escape it.

Hard Times
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Hard Times(en)

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In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up fights for Chaney, but Speed gambles away any winnings.

The Way Back
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The Way Back(fr)

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Uma Thurman boogies, Harvey Keitel whips out his gun, Hitler’s head is sliced in half. And Quentin Tarantino sits serenely through it all, impervious to the mayhem he’s created.

Martha Marcy May Marlene
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Martha Marcy May Marlene(en)

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After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.