A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
A provincial chemist's daughter is to marry her cousin Gilbert.The day before he arrives, a stranger, who has just escaped from an insane asylum, claims he is the famous cousin.
A young French, Vignerte, is hired in the court of Lautenberg, an imaginary land, as the young Prince's private teacher and as the Grand Duchess' reader.
Mado loves Henry but is coveted by Bob Torquella, a dangerous gangster. The latter, mad with jealousy, is prepared to do everything to get rid of Henri. He and his accomplice involve him in a dangerous robbery. Henri is hurt and arrested by the police. But the young man, a weak character, denounces his accomplices. Two years later, the two gangsters run away from prison. Bob finds that Henri and Mado are husband and wife and have a daughter. In a panic, Henri runs for cover.
Young conductor Roberto Lombardini has never known his father who is actually a former musician, a failed piano player who has sunk into alcoholism.
As in a Hollywood western, rice growers and bull cultivators come into conflict in the Camargue.
Garibaldi, after landing in Marsala, moves on to Naples. The liberals are overjoyed but the Bourbons are terrified. The so-called Baron Tucci, on a recommendation from England, arrives at the home of Count Sereni, a notable liberal. But he turns out not to be a patriot who has returned to Italy to take part in the fight but a degraded Bourbon official who has been promised rehabilitation if he can succeed as a spy. Tucci discovers old Sereni's second wife is one of his former lovers and persuades her to murder her husband so as to gain his inheritance. She does indeed cause the count to die, by withholding his heart medicine, but not before he destroys his will.
A young girl marries a man she doesn't love and delights in humiliating him.
An orphan's grandmother dies. Alone in the world,he is going to be confided to the health and social security services. His pals decide to kidnap him so that he can stay with them.
After his wife's death, a man discovers that his daughter may not be his.
Jacques Montet, a successful crime story writer, has already written a hundred books and would like to call it quits now to devote himself to loftier writing. But his wife, a cold-hearted, money-minded, bossy woman won't allow. All the more as she is the one who supplies Jacques with the plots of his detective stories. When Jacques, yearning for true love, meets young, pretty Muriel, he can't stand the situation any longer. Fortunately - for him - the plot of the 101st detective story imagined by his wife is about a ... perfect crime. He simply has to follow her instructions to ... get rid of her. Everything goes according to plan until Jacques discovers a scary detail: the presence of a mysterious witness on the scene of the crime.