Narrator
Pia Yona Massie's Sayonara Super 8 uses personal archival footage to ask questions about the fragile nature of memory, human relationships and the foibles of the medium itself.
2006-01-01
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Yeon Park orders a time machine on eBay for her father’s birthday, seeing it as an opportunity to discover a few truths about her family’s past. Yeon responds to her father’s private prints through another distribution of the sensible. Fun and intimate, I Bought a Time Machine uses technology like a mediation necessary for communication.
The documentary "Caixa D'água: Qui-lombo is this?" It reports, through testimonies from former residents and photographic collections, the importance in the cultural and historical scope of the Getúlio Vargas neighborhood located in Aracaju, capital of Sergipe. Emphasis is placed on black culture and the presence of black slaves and their descendants, with the rescue of issues related to their origin, orality, geographical location and awareness of their racial identity, showing that, although this community exists in an urban area, it still maintains many aspects of the quilombo life of the former black slaves in Brazil.
From HBO's "America Undercover." On June 30, 1969, Lt. Jack Hulme was killed in Vietnam, having never met his newborn son. Thirty years later, filmmaker John Hulme finally seeks out what happened to his father, and who he really was. From family members and childhood friends to the soldiers who fought beside him, John tracks down everyone, chasing his fathers ghost across the country. What he discovers is a life that mirrored a generations struggles...husbands vs. wives, soldiers vs. protestors, America vs. Vietnam. But he also finds wounds that are painfully fresh, especially his mothers. Together, using the accounts of first-hand witnesses, they travel back to Vietnam, to the place where Jack spent the last few moments of his life so they can finally come to terms with his death.
Tracing the life of activist Costis Achniotis, the film develops within the history of the Cypriot radical Left and the bicommunal movement for reunification. In parallel quests between the past and present and with an auto-ethnographic approach, the filmmakers bring together personal artifacts, new and archival material, exploring the dialectics and poetics of the ethnic clash and division in Cyprus.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
A man is fascinated by the structures and environments surrounding him and willing to break external and internal limitations to approach them.
The true story of Doug Bruce who woke up on Coney Island with total amnesia. This documentary follows him as he rediscovers himself and the world around him.
Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.
A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.
At the end of the 80's, the city of Itacuruba, in the backlands of Pernambuco, was transferred to another locality due to the construction of a hydroelectric plant. In the new region, the city began to register many suicides, reaching a rate ten times greater than the national average. Through memories of the lost city, villagers reveal that the root of a people is like the root of a tree: essential to life.