Founded in 1947, “Group 47” made half‐yearly authors read publicly and endure brutal critique, launching postwar German literature (including Nobel winners). Its 1967 end still influences writers; veterans recall its power, while Kehlmann and Biller debate a modern equivalent.
2008-10-14
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6.8A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
7.5The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
4.0Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.
8.0It is an unknown chapter of the German post-war history: On April 23rd, 1949, the kingdom of the Netherlands occupied German soil as a pledge for demanded war reparations. Part of the annexed territories was also the small municipality of Elten. While the people of Elten were initially afraid of the occupation, the time “with Holland” actually became a miracle of prosperity and economy about which many people from Elten still rave today. The occupation period ended with the largest organized smuggling in the history of the federal republic of Germany. The Documentary shows this in never before released 8 mm footage!
6.7Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
7.0Is the solution to Switzerland's future to integrate Germany into the confederation? After all, like Michael Ringier, CEO of the Ringier media group, says, blithely ignoring all minorities, we're very close in culture and language. Oskar Freysinger takes out his guitar and sings his answer. Politicians from French-speaking Switzerland and Ticino think expanding will help the country survive. The former German foreign minister thinks the two countries' traditions are too different. The banker Oswald Grübel is worried about Germany's debts, although he'd be prepared to take over its assets. With serious interviews interspersed with gags (boat people on Lake Constance, the last Habsburger as a peasant), Giaccobbo gathers off-the-cuff reactions which reveal a lot about the different mentalities. The movie laughs at preconceived notions, redefines neutrality and reflects on what designates a nation. Switzerland, which loves to teach the world a lesson, will soon helvetize the planet, oder?
6.2Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.
0.0Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.
0.0Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.
8.4Mark Gatiss explores and celebrates Dracula, an icon of popular culture, asking just why we keep coming back to the count.
6.0Professor Niall Ferguson argues that Britain's decision to enter the First World War was a catastrophic error that unleashed an era of totalitarianism and genocide.
8.0An account of the life of the French poet Jean de la Fontaine (1621-95), author of more than one hundred fables and a model for many other European fabulists of later times.
Mr Surgeoner takes the viewer on an enthralling journey through the SQA Higher History course.
5.0Beatriz Portinari is not only the name of the inspiring muse of Dante Alighieri, but also the pseudonym with which the Platense writer Aurora Venturini was presented in 2007 to the Nueva Novela contest, organized by the newspaper Página 12, in which she won the grand prize for their work The bonuses. Full of mischief and grace, vitality and mystery, with great character and lucidity, this woman who throughout her ninety-one years never stopped writing, had a life totally linked to the literature and history of the twentieth century: she knew , was a friend and worked with Eva Perón in a minority center; in his exile he became associated with Simone de Beauvoir and Jean-Paul Sartre, among others; and received a prize from Jorge Luis Borges, among many other things.
6.8On January 31, 1857, the French writer Gustave Flaubert (1821-80) took his place in the dock for contempt of public morality and religion. The accused, the real one, is, through him, Emma Bovary, heroine with a thousand faces and a thousand desires, guilty without doubt of an unforgivable desire to live.
6.1In 1991, American Psycho, the third novel by controversial writer Bret Easton Ellis, provoked heated discussions among critics and readers alike; an extraordinarily disturbing book that transported its readers into the mind of Patrick Bateman, a cynical mergers and acquisitions executive obsessed with brands, inconsequential details, pop culture and brutal murder.
0.0Poet, essayist, novelist and filmmaker, Michel Houellebecq has always had close ties with the cinema and the world of the visual arts, which have accompanied and extended his reflexions since the start of his career, as the frequent allusions to them in his novels attest. This portrait of Houellebecq is from his early days of bad boy provocateur stardom. Having just published Plateforme in french and enjoying the many translations of Les Particules élémentaires.