Planeta Siqueiros

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Land Without Bread
71%

Land Without Bread(es)

1933-12-01

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Daybreak Express
73%

Daybreak Express(en)

1953-01-01

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Cal State Long Beach, CA, January 2020
50%

Cal State Long Beach, CA, January 2020(en)

2021-10-21

A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

Japanese Summers of a Filipino Fundoshi
0%

Japanese Summers of a Filipino Fundoshi(tl)

1996-01-01

Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."

Mädchen am Ball
0%

Mädchen am Ball(de)

1995-01-02

Make-up and cleats are not mutually exclusive for the soccer players from "Agrispor". In "Mädchen am Ball", Aysun Bademsoy accompanies five young Turkish women on their way up in a women's soccer team in Berlin.

THEATER. Afterword
55%

THEATER. Afterword(ru)

1988-12-29

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

If My Father Were Made of Stone
0%

If My Father Were Made of Stone(en)

2010-09-04

The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.

Blood Is White
0%

Blood Is White(xx)

2020-10-09

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.

Night Descends on Treasure Island
60%

Night Descends on Treasure Island(en)

1940-01-20

A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.

First Aid
50%

First Aid(en)

1943-01-02

This Pete Smith Specialty is a semihumorous look at basic first aid techniques for mishaps that often occur around the house. It was produced in cooperation with the Beverly Hills First Aid Unit of the American Red Cross Disaster Service. —David Glagovsky

Skateboard Sense
0%

Skateboard Sense(en)

Safety film from the late 70s/early 80s about the (then) new hobby of skateboarding. Produced by Sid Davis.

Cormorant
0%

Cormorant(en)

2023-08-26

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

Without Me
0%

Without Me(de)

1993-08-10

An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.

Atopy
80%

Atopy(pt)

2015-09-25

After being for eleven years in the city, José António Baptista returned to his home village to focus on literature.

Don Roberto's Shade
0%

Don Roberto's Shade(es)

2007-07-04

In 1973 Roberto Saldivar was arrested and imprisoned in an old Salpetermine in northern Chile. The mine was used as concentrationcamp for political prisoners. 20 years later he returned to confront his memories. He has lived there since. Alone.

Workers Leaving the Lumière Factory
67%

Workers Leaving the Lumière Factory(fr)

1895-03-22

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Latvian Folklore
0%

Latvian Folklore(lv)

1983-04-01

Documentary about the ancient rites still practiced in rural Latvia.

I will not travel hidden
60%

I will not travel hidden(es)

2018-08-23

Blanca Luz Brum traveled an unusual path, through twentieth-century Latin America, actively participating in the intellectual, political and artistic movements of Uruguay, Chile, Argentina, Peru and Mexico. It is today a symbol of female emancipation in Latin America. The versions about her life are varied and dissimilar, the testimonies of those who knew her, full of contradictions.

The Arrival of a Train at La Ciotat
71%

The Arrival of a Train at La Ciotat(fr)

1897-10-10

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.