

2011-04-07
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6.8An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
0.0In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
0.0Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.
6.3Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.
0.0While managers of Swiss banks in the USA ruefully apologize for their tax evasions practices and customer data is disclosed to the American authorities, Rudolf Elmer, former auditor at bank Julius Bär, is indicted for violating the Swiss banking secrecy law on the Cayman Islands. Rudolf Elmer: from insider to critic.
0.0Nearing the end of a long and successful stage career, Miriam Goldschmidt finds her prowess as an actress increasingly on the wane. She struggles to memorize her lines and as her last project with lifelong collaborator, the legendary director Peter Brook, threatens to fall apart, Miriam looks back. Referencing Brook’s ground-breaking book «The Empty Space», she uses an empty rehearsal room in Berlin to invoke her archetypal life journey that took an orphaned black child from post-war Germany to the world’s biggest stages. We «Call Her Miriam» is a bewitching and moving portrait of a great artist living between dream and reality, truth and fction and life and death.
7.0Tracing the emigrations of his family over more than half a century, this riveting documentary epic from acclaimed expatriate Iraqi filmmaker Samir pays moving homage to the frustrated democratic dreams of a people successively plagued by the horrors of dictatorship, war and foreign occupation of Iraq.
7.2At the far end of the Alaskan peninsula, for filmmaker Roman Droux a childhood dream comes true. He discovers together with the bear researcher David Bittner the universe of wild grizzlies. The two adventurists face bears at smelling-distance, experience the struggle for survival of a bear family and witness dramatic fighting scenes. Driven by a desire to explore the unknown the film tells a personal story of wilderness, framed in breathtaking pictures of unique creatures.
6.2It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.
10.0Synopsis - For god's sake Isabella and Nando are two militant atheists. They live in Italy, a country where the Church still plays a strong political role. T hey are among the 4000 members of UAAR (Union Atheists Agnostics Rationalists), an association that keenly defends the fundamentals of the secular state, giving trouble even to the Vatican. Among the various actions of the association: the campaign for the de-baptize and the "atheist bus", ads that should have spread the slogan: “The bad news is that God doesn't exist. The good one is that you don't need him”
7.0Filmmakers Nicolaus Humbert and Werner Penzel examine the nature of nomadic existence in this documentary, from the literal nomads of North Africa to the more metaphorical kind of wanderer, such as American poet and ex-pat Robert Lax. Humbert and Penzel focus especially on the nomad's paradoxical ability to fully inhabit every moment while remaining coolly detached from specific locales and anxious thoughts about the past or future.
0.0The film traces the mysterious story of the Indian elephant RAJA, who was sent on an adventurous journey from the forests of Kerala to Vienna around 1550, via Lisbon. Gandhi activist P. V. Rajagopal's explorations along the route uncover surprising facts and awaken fascinating associations. We witness the capture of the little elephant, its training, its work in the forest and its performances at temple festivals - until it is chosen as a status symbol by European rulers. A story of appropriation that continues to this day.
0.0Women bring children into the world. But when, as in the case of Sandra, Jasmine and Jennifer, you're not yet eighteen and your belly is starting to round out, that's when people look at you sideways. And once the baby's here, life with a child is a far greater challenge than we ever imagined in our rosy teenage dreams. A long-term study of three very young mothers, their children and their fathers. A film about their first great love, their professional futures and their dreams for the future.
0.0Architects from Europe, America and China are invited to a Chinese provincial town. Within several months, they are to construct a park in Jinhua, intended to form the centre of a new district of that town. Where green fields now flourish and farmers plough the land, investors will soon flock, followed by new inhabitants and political reforms. But the project ends up being drawn out over years. The euphoria of the early stages runs up against a reality in which torn-open earth and the ambitious hopes of politicians, workers and locals are the only manifest features. The film documents the changes leading to the Jinhua Architecture Park - from the laying of the foundation stone to its final opening. In giving all participants in this process an opportunity to comment.