
In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.


Self
Self

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
2007-04-01
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0.0The Making of a Dream is a cinematic essay on stories of dancers. It shows joys and pains from the first steps in an amateur school to the goal to become a principal dancer in a world known ballet company.
0.0Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
0.0For a month, filmmaker Dieter Gränicher lives in an institution, in the village community of the deaf. As an attentive and increasingly familiar observer, he gets closer and closer to the village's inhabitants, who often suffer from a variety of handicaps, as they go about their daily lives. The film tells the story of the nuances and vivacity of sign language. It portrays human beings who, with great expressive power, overcome the limitations imposed on them by their disability, deeply touching the person opposite.
6.1When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
0.0Klaus Rozsa, a well-known and politically active photographer, lived in Zurich for decades as a stateless individual. All of his applications for naturalisation were refused on political grounds. In 1956 he fled Hungary, growing up in Switzerland with a Jewish father who had survived Auschwitz and Dachau. Due to the extreme proximity of such a fate, the camera led him repeatedly to places where injustice was done. It was this particular quality of his camerawork that proved fateful for him.
0.0“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
What becomes history, what feeds memory, what shapes an era? Images found in the dustbins of history. Taken out of context, fragments, testimonies and unpublished documents intermingle, interweave and collide. They take on a new meaning, a dimension of authentic proximity. The peregrination touches on the advent of the atomic bomb, the military trials at the end of the war, the lie detector, the discovery of the Majdanek camp; Einstein, Lenin's embalmer, the KGB agent, the American spy rebuilding his life in Russia, the Yugoslav war sniper all have their say.
0.0The film is the story of a musical encounter between drummers Pierre Favre, Fritz Hauser, Daniel Humair and Fredy Studer. The filmmaker brought them together in Zurich on January 6, 1997, and followed them over four days of rehearsals. The confrontation between these very different artists culminates in a concert.
0.0In 1906, Dr. Morgenthaler, a psychiatrist at Bern Psychiatric Hospital, started to collect and photograph the drawings, paintings and various objects designed by his patients. This collection of works by schizophrenic artists would later prove an important contribution to art history and the history of "Art Brut" or "Outsider Art": work by artists who have been deemed obsessive, mentally or psychologically ill, or otherwise "abnormal."
5.5Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.
0.0Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.
0.0Radios echo across Niger, connecting lives through news, music, and debate. This gripping doc explores how this everyday device becomes a lifeline in a changing nation.
8.0From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.